| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In a German Pension by Katherine Mansfield: He did not answer. With an expression of the most absurd determination he
pressed ever more heavily upon her. He did not even look at her--but
rapped out in a sharp voice: "Keep quiet--keep quiet."
"Gar--r! Why are men so strong?" She began to cry. "Go away--I don't
want you, you dirty creature. I want to murder you. Oh, my God! if I had
a knife."
"Don't be silly--come and be good!" He dragged her towards the bed.
"Do you suppose I'm a light woman?" she snarled, and swooping over she
fastened her teeth in his glove.
"Ach! don't do that--you are hurting me!"
She did not let go, but her heart said, "Thank the Lord I thought of this."
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Massimilla Doni by Honore de Balzac: interference with their enjoyment, were at a height of uproar. Nothing
could be more exasperating to Italian ears than this contrast of good
and bad singing. The manager went so far as to appear on the stage, to
say that in reply to his remarks to his leading singer, Signor
Genovese had replied that he knew not how or by what offence he had
lost the countenance of the public, at the very moment when he was
endeavoring to achieve perfection in his art.
"Let him be as bad as he was yesterday--that was good enough for us!"
roared Capraja, in a rage.
This suggestion put the house into a good humor again.
Contrary to Italian custom, the ballet was not much attended to. In
|