Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Abraham Lincoln

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Eryxias by Platonic Imitator:

Greek or Roman writings, the one which anticipates in the most striking manner the modern science of political economy and gives an abstract form to some of its principal doctrines.

For the translation of these two dialogues I am indebted to my friend and secretary, Mr. Knight.

That the Dialogue which goes by the name of the Second Alcibiades is a genuine writing of Plato will not be maintained by any modern critic, and was hardly believed by the ancients themselves. The dialectic is poor and weak. There is no power over language, or beauty of style; and there is a certain abruptness and agroikia in the conversation, which is very un- Platonic. The best passage is probably that about the poets:--the remark

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Figure in the Carpet by Henry James:

event has made it one. I not only never took the smallest precaution to keep it so, but never dreamed of any such accident. If I had I shouldn't in advance have had the heart to go on. As it was, I only became aware little by little, and meanwhile I had done my work."

"And now you quite like it?" I risked.

"My work?"

"Your secret. It's the same thing."

"Your guessing that," Vereker replied, "is a proof that you're as clever as I say!" I was encouraged by this to remark that he would clearly be pained to part with it, and he confessed that it was

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

side with this sense of insecurity, there is a vital faith in our invulnerability to the shaft of death while engaged in any task that seems assigned by Providence as our proper thing to do, and which the world would have cause to mourn for should we leave it unaccomplished. Can the philosopher, big with the inspiration of an idea that is to reform mankind, believe that he is to be beckoned from this sensible existence at the very instant when he is mustering his breath to speak the word of light? Should he perish so, the weary ages may pass away--the world's, whose life sand may fall, drop by drop--before another intellect is prepared to develop the truth that might have been uttered then. But


Mosses From An Old Manse