Today's Stichomancy for Abraham Lincoln

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Verses 1889-1896 by Rudyard Kipling:

And smote his hand upon his knee: "By the faith o' my soul, True Thomas," he said, "Ye waste no wit in courtesie! "As I desire, unto my pride, Can I make Earls by three and three, To run before and ride behind And serve the sons o' my body." "And what care I for your row-foot earls, Or all the sons o' your body?

Verses 1889-1896

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

figures ever infinitesimally moving, foot by foot, a yard to the minute, and, like things enchanted in a nightmare, approaching no nearer to the goal.

In the meantime there came up behind us a tall peasant, perhaps forty years of age, of an ironical snuffy countenance, and arrayed in the green tail-coat of the country. He overtook us hand over hand, and stopped to consider our pitiful advance.

'Your donkey,' says he, 'is very old?'

I told him, I believed not.

Then, he supposed, we had come far.

I told him, we had but newly left Monastier.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Baltimore by Owen Wister:

And these were the Replacers whom Beverly's clear-sighted eyes saw swarming round the temple of his civilization, pushing down the aisles, climbing over the backs of the benches, walking over each other's bodies, and seizing those front seats which his family had sat in since New York had been New York; and so the wise fellow very prudently took every step that would insure the Replacers' inviting him to occupy one of his own chairs. I had almost forgotten little Gazza, the Italian nobleman, who sold old furniture to new Americans. Gazza was not looking at the old furniture of Kings Port, which must have filled his Vatican soul with contempt; he was strolling back and forth in the street, with his head in the air, humming, now loudly, now softly "La-la, la-la, E quando a la

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Philebus by Plato:

finite from the infinite. The one is in various ways and degrees working in the other. Hence he has implicitly answered the difficulty with which he started, of how the one could remain one and yet be divided among many individuals, or 'how ideas could be in and out of themselves,' and the like. Secondly, that in this mixed class we find the idea of beauty. Good, when exhibited under the aspect of measure or symmetry, becomes beauty. And if we translate his language into corresponding modern terms, we shall not be far wrong in saying that here, as well as in the Republic, Plato conceives beauty under the idea of proportion.

4. Last and highest in the list of principles or elements is the cause of the union of the finite and infinite, to which Plato ascribes the order of