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Today's Stichomancy for Abraham Lincoln

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Heart of the West by O. Henry:

gate. The cow-punchers lolled in their saddles, open-mouthed.

"Take this man," said Raidler to Ross Hargis, "and put him to work. Make him work hard, sleep hard, and eat hard. You boys know I done what I could for him, and he was welcome. Yesterday the best doctor in San Antone examined him, and says he's got the lungs of a burro and the constitution of a steer. You know what to do with him, Ross."

Ross Hargis only smiled grimly.

"Aw," said McGuire, looking intently at Raidler, with a peculiar expression upon his face, "the croaker said I was all right, did he? Said I was fakin', did he? You put him onto me. You t'ought I wasn't sick. You said I was a liar. Say, friend, I talked rough, I know, but


Heart of the West
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Psychology of Revolution by Gustave le Bon:

reason. On all hands the most brilliant oratorical formulae saluted the expected dawn.

That this enthusiasm was so soon replaced by violence was due to the fact that the awakening was speedy and terrible. One can readily conceive the indignant fury with which the apostles of the Revolution attacked the daily obstacles opposed to the realisation of their dreams. They had sought to reject the past, to forget tradition, to make man over again. But the past reappeared incessantly, and men refused to change. The reformers, checked in their onward march, would not give in. They sought to impose by force a dictatorship which speedily made

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

the carriages, the scurrying footsteps of the waiters in the passage, the daylight. . . . If at that moment someone had performed a great deed of mercy or had committed a revolting outrage, he would have felt the same repulsion for both actions. Of all the thoughts that strayed through his mind only two did not irritate him: one was that at every moment he had the power to kill himself, the other that this agony would not last more than three days. This last he knew by experience.

After lying for a while he got up and, wringing his hands, walked about the room, not as usual from corner to corner, but round the room beside the walls. As he passed he glanced at himself in the


The Schoolmistress and Other Stories
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fairy Tales by Hans Christian Andersen:

me! Never have I thought or felt like this before! It must be the summer air that affects me with feelings almost as disquieting as they are refreshing."

He felt in his pocket for the papers. "These police-reports will soon stem the torrent of my ideas, and effectually hinder any rebellious overflowing of the time-worn banks of official duties"; he said to himself consolingly, while his eye ran over the first page. "DAME TIGBRITH, tragedy in five acts." "What is that? And yet it is undeniably my own handwriting. Have I written the tragedy? Wonderful, very wonderful! --And this--what have I here? 'INTRIGUE ON THE RAMPARTS; or THE DAY OF REPENTANCE: vaudeville with new songs to the most favorite airs.' The deuce! Where did I get all this rubbish? Some one must have slipped it slyly into my pocket for a joke. There is too a letter to me;


Fairy Tales