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Today's Stichomancy for Abraham Lincoln

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Roads of Destiny by O. Henry:

bread, drinking from streams or the willing cup of the goatherd.

At length he crossed a great bridge and set his foot within the smiling city that has crushed or crowned more poets than all the rest of the world. His breath came quickly as Paris sang to him in a little undertone her vital chant of greeting--the hum of voice and foot and wheel.

High up under the eaves of an old house in the Rue Conti, David paid for lodging, and set himself, in a wooden chair, to his poems. The street, once sheltering citizens of import and consequence, was now given over to those who ever follow in the wake of decline.

The houses were tall and still possessed of a ruined dignity, but many

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

of the presumably weak heart, which to my mind imperilled the success of our experiment, did not appear to trouble West extensively. He hoped at last to obtain what he had never obtained before -- a rekindled spark of reason and perhaps a normal, living creature.

So on the night of July 18, 1910, Herbert West and I stood in the cellar laboratory and gazed at a white, silent figure beneath the dazzling arc-light. The embalming compound had worked uncannily well, for as I stared fascinatedly at the sturdy frame which had lain two weeks without stiffening, I was moved to seek West’s assurance that the thing was really dead. This assurance he gave readily enough; reminding me that the reanimating solution was


Herbert West: Reanimator
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

stationary White-Light of Barataria. Otherwise the place is bleakly uninteresting: a wilderness of wind-swept grasses and sinewy weeds waving away from a thin beach ever speckled with drift and decaying things,--worm-riddled timbers, dead porpoises.

Eastward the russet level is broken by the columnar silhouette of the light house, and again, beyond it, by some puny scrub timber, above which rises the angular ruddy mass of the old brick fort, whose ditches swarm with crabs, and whose sluiceways are half choked by obsolete cannon-shot, now thickly covered with incrustation of oyster shells.... Around all the gray circling of a shark-haunted sea...

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Salammbo by Gustave Flaubert:

kill me like him!" The servants of Moloch were astonished that the great Hamilcar was so weak-spirited. They were almost moved by it.

A noise of naked feet became audible, with a broken throat-rattling like the breathing of a wild beast speeding along, and a man, pale, terrible, and with outspread arms appeared on the threshold of the third gallery, between the ivory pots; he exclaimed:

"My child!"

Hamilcar threw himself with a bound upon the slave, and covering the man's mouth with his hand exclaimed still more loudly:

"It is the old man who reared him! he calls him 'my child!' it will make him mad! enough! enough!" And hustling away the three priests and


Salammbo