| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Episode Under the Terror by Honore de Balzac: relic, saved no doubt from the wreck of the Abbaye de Chelles, stood
like an ornament on the chimney-piece. Three chairs, two boxes, and a
rickety chest of drawers completed the list of the furniture, but a
door beside the fireplace suggested an inner room beyond.
The brief inventory was soon made by the personage introduced into
their midst under such terrible auspices. It was with a compassionate
expression that he turned to the two women; he looked benevolently at
them, and seemed, at least, as much embarrassed as they. But the
strange silence did not last long, for presently the stranger began to
understand. He saw how inexperienced, how helpless (mentally
speaking), the two poor creatures were, and he tried to speak gently.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herland by Charlotte Gilman: --they gathered in from the fields, swift-running light figures,
crowds of them. We stared and stared until it was almost too late
to catch the levers, sweep off and rise again; and then we held
our peace for a long run upward
"Gosh!" said Terry, after a while.
"Only women there--and children," Jeff urged excitedly.
"But they look--why, this is a CIVILIZED country!" I protested.
"There must be men."
"Of course there are men," said Terry. "Come on, let's find 'em."
He refused to listen to Jeff's suggestion that we examine the
country further before we risked leaving our machine.
 Herland |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Time Machine by H. G. Wells: Traveller came back, and Filby's anecdote collapsed.
The thing the Time Traveller held in his hand was a glittering
metallic framework, scarcely larger than a small clock, and very
delicately made. There was ivory in it, and some transparent
crystalline substance. And now I must be explicit, for this that
follows--unless his explanation is to be accepted--is an
absolutely unaccountable thing. He took one of the small
octagonal tables that were scattered about the room, and set it
in front of the fire, with two legs on the hearthrug. On this
table he placed the mechanism. Then he drew up a chair, and sat
down. The only other object on the table was a small shaded
 The Time Machine |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Golden Sayings of Epictetus by Epictetus: necessary to happiness, that hitherto your attention has been
bestowed on everything rather than that which claims it most;
and, to crown all, that you know neither what God nor Man is--
neither what Good or Evil is: why, that you are ignorant of
everything else, perhaps you may bear to be told; but to hear
that you know nothing of yourself, how could you submit to that?
How could you stand your ground and suffer that to be proved?
Clearly not at all. You instantly turn away in wrath. Yet what
harm have I done to you? Unless indeed the mirror harms the
ill-favoured man by showing him to himself just as he is; unless the
physician can be thought to insult his patient, when he tells
 The Golden Sayings of Epictetus |