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Today's Stichomancy for Adam Sandler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Contrast by Royall Tyler:

JENNY

Pretend to be affronted!

JONATHAN

Aye, aye, if you only pretend, you shall hear how I'll go to work to make cherubim consequences. [Runs up to her.]

JENNY

Begone, you brute!

JONATHAN

That looks like mad; but I won't lose my speech. My dearest Jenny--your name is Jenny, I think?--

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The First Men In The Moon by H. G. Wells:

light ran in a dwindling thread and vanished far ahead. Presently the rocky walls had vanished altogether on either hand. There was nothing to be seen but the path in front of us and the trickling hurrying rivulet of blue phosphorescence. The figures of Cavor and the guiding Selenite marched before me, the sides of their legs and heads that were towards the rivulet were clear and bright blue, their darkened sides, now that the reflection of the tunnel wall no longer lit them, merged indistinguishably in the darkness beyond.

And soon I perceived that we were approaching a declivity of some sort, because the little blue stream dipped suddenly out of sight.

In another moment, as it seemed, we had reached the edge. The shining


The First Men In The Moon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Cousin Betty by Honore de Balzac:

state to admit you.--Are you afraid of catching cold in the street? Be off there--or good-night."

"Good evening, gentlemen," said the Baron to the other two.

Hulot, when piqued in his old man's vanity, was bent on proving that he could play the young man by waiting for the happy hour in the open air, and he went away.

Marneffe bid his wife good-night, taking her hands with a semblance of devotion. Valerie pressed her husband's hand with a significant glance, conveying:

"Get rid of Crevel."

"Good-night, Crevel," said Marneffe. "I hope you will not stay long

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secret Agent by Joseph Conrad:

conversation between these two. He had listened in silence. It was something as exciting in a way, and even touching in its foredoomed futility, as the efforts at moral intercourse between the inhabitants of remote planets. But this grotesque incarnation of humanitarian passion appealed somehow, to one's imagination. At last Michaelis rose, and taking the great lady's extended hand, shook it, retained it for a moment in his great cushioned palm with unembarrassed friendliness, and turned upon the semi-private nook of the drawing-room his back, vast and square, and as if distended under the short tweed jacket. Glancing about in serene benevolence, he waddled along to the distant door between the knots


The Secret Agent