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Today's Stichomancy for Adam Sandler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Woman and Labour by Olive Schreiner:

In the very early stages of human growth, the sexual parasitism and degeneration of the female formed no possible source of social danger. Where the conditions of life rendered it inevitable that all the labour of a community should be performed by the members of that community for themselves, without the assistance of slaves or machinery, the tendency has always been rather to throw an excessive amount of social labour on the female. Under no conditions, at no time, in no place, in the history of the world have the males of any period, of any nation, or of any class, shown the slightest inclination to allow their own females to become inactive or parasitic, so long as the actual muscular labour of feeding and clothing them would in that case have devolved upon themselves!

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gorgias by Plato:

master of the art, and has done all this, gets out and walks about on the sea-shore by his ship in an unassuming way. For he is able to reflect and is aware that he cannot tell which of his fellow-passengers he has benefited, and which of them he has injured in not allowing them to be drowned. He knows that they are just the same when he has disembarked them as when they embarked, and not a whit better either in their bodies or in their souls; and he considers that if a man who is afflicted by great and incurable bodily diseases is only to be pitied for having escaped, and is in no way benefited by him in having been saved from drowning, much less he who has great and incurable diseases, not of the body, but of the soul, which is the more valuable part of him; neither is life worth having nor of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Commentary on the Epistle to the Galatians by Martin Luther:

Law and the Gospel, in order to avoid dissembling. When it come to the article of justification we must not yield, if we want to retain the truth of the Gospel.

When the conscience is disturbed, do not seek advice from reason or from the Law, but rest your conscience in the grace of God and in His Word, and proceed as if you had never heard of the Law. The Law has its place and its own good time. While Moses was in the mountain where he talked with God face to face, he had no law, he made no law, he administered no law. But when he came down from the mountain, he was a lawgiver. The conscience must be kept above the Law, the body under the Law.

Paul reproved Peter for no trifle, but for the chief article of Christian

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Soul of Man by Oscar Wilde:

matters, and is to be deplored. But their soul was not in the subject. Raphael was a great artist when he painted his portrait of the Pope. When he painted his Madonnas and infant Christs, he is not a great artist at all. Christ had no message for the Renaissance, which was wonderful because it brought an ideal at variance with his, and to find the presentation of the real Christ we must go to mediaeval art. There he is one maimed and marred; one who is not comely to look on, because Beauty is a joy; one who is not in fair raiment, because that may be a joy also: he is a beggar who has a marvellous soul; he is a leper whose soul is divine; he needs neither property nor health; he is a God realising