Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Adolf Hitler

The first excerpt represents the past or something you must release, and is drawn from Sylvie and Bruno by Lewis Carroll:

'I cannot manage it to-day.' And now the April showers were dry-- The five short weeks were nearly spent-- Yet still he got the old reply, 'It is not quite convenient!'

The Fourth arrived, and punctual Paul Came, with his legal friend, at noon. 'I thought it best,' said he, 'to call: One cannot settle things too soon.' Poor Peter shuddered in despair: His flowing locks he wildly tore:


Sylvie and Bruno
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Essays & Lectures by Oscar Wilde:

on the borderland between faith and rationalism, one likes to note even the most minute instances of the rise of the critical and sceptical spirit of inquiry.

How really strange, at base, it was with him may, I think, be shown by a reference to those passages where he applies rationalistic tests to matters connected with religion. He nowhere, indeed, grapples with the moral and scientific difficulties of the Greek Bible; and where he rejects as incredible the marvellous achievements of Hercules in Egypt, he does so on the express grounds that he had not yet been received among the gods, and so was still subject to the ordinary conditions of mortal life ([Greek

The third excerpt represents the future or something you must embrace, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

and Arment said slowly: "Will you come this way?"

He followed her into the drawing-room and closed the door. Julia, as she advanced, was vaguely aware that the room at least was unchanged: time had not mitigated its horrors. The contadina still lurched from the chimney-breast, and the Greek slave obstructed the threshold of the inner room. The place was alive with memories: they started out from every fold of the yellow satin curtains and glided between the angles of the rosewood furniture. But while some subordinate agency was carrying these impressions to her brain, her whole conscious effort was centred in the act of dominating Arment's will. The fear that he would