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Today's Stichomancy for Adolf Hitler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lost Princess of Oz by L. Frank Baum:

other peaks, all steadily whirling around one way or another. Continuing to ride nearer, our friends watched these hills attentively, until at last, coming close up, they discovered there was a deep but narrow gulf around the edge of each mountain, and that the mountains were set so close together that the outer gulf was continuous and barred farther advance. At the edge of the gulf they all dismounted and peered over into its depths. There was no telling where the bottom was, if indeed there was any bottom at all. From where they stood it seemed as if the mountains had been set in one great hole in the ground, just close enough together so they would not touch, and that each mountain was supported by a rocky column beneath


The Lost Princess of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Phoenix and the Turtle by William Shakespeare:

So they lov'd, as love in twain Had the essence but in one; Two distincts, division none: Number there in love was slain.

Hearts remote, yet not asunder; Distance, and no space was seen 'Twixt the turtle and his queen; But in them it were a wonder.

So between them love did shine, That the turtle saw his right Flaming in the phoenix' sight:

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Frances Waldeaux by Rebecca Davis:

penny's hire for her chair. As he hobbled away, he looked back at her curiously.

"She gave him a shilling!" exclaimed Lisa, as he passed them. "I told you she was not fit to take care of money."

"But why not wait until to-morrow to talk of business? She is hurt and unnerved just now, and she--she does not like you, Lisa."

"I am not afraid. She will be civil. She is like Chesterfield. `Even death cannot kill the courtesy in her.' You don't seem to know the woman, George. Come."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Protagoras by Plato:

of natural philosophy, to which, as in both the Dialogues called by his name, he now adds the profession of an interpreter of the Poets. The two latter personages have been already damaged by the mock heroic description of them in the introduction. It may be remarked that Protagoras is consistently presented to us throughout as the teacher of moral and political virtue; there is no allusion to the theories of sensation which are attributed to him in the Theaetetus and elsewhere, or to his denial of the existence of the gods in a well-known fragment ascribed to him; he is the religious rather than the irreligious teacher in this Dialogue. Also it may be observed that Socrates shows him as much respect as is consistent with his own ironical character; he admits that the dialectic which has