| The first excerpt represents the past or something you must release, and is drawn from The Vicar of Tours by Honore de Balzac: was really the object of an underhand persecution and a vengeance
deliberately planned. The four marked circumstances of the locked
door, the forgotten slippers, the lack of fire, and the removal of the
candlestick, were the first signs that revealed to him a terrible
enmity, the final consequences of which were destined not to strike
him until the time came when they were irreparable.
As he went to bed the worthy vicar worked his brains--quite uselessly,
for he was soon at the end of them--to explain to himself the
extraordinarily discourteous conduct of Mademoiselle Gamard. The fact
was that, having all along acted logically in obeying the natural laws
of his own egotism, it was impossible that he should now perceive his
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Aeneid by Virgil: To the Cumaean coast at length he came,
And here alighting, built this costly frame.
Inscrib'd to Phoebus, here he hung on high
The steerage of his wings, that cut the sky:
Then o'er the lofty gate his art emboss'd
Androgeos' death, and off'rings to his ghost;
Sev'n youths from Athens yearly sent, to meet
The fate appointed by revengeful Crete.
And next to those the dreadful urn was plac'd,
In which the destin'd names by lots were cast:
The mournful parents stand around in tears,
 Aeneid |
The third excerpt represents the future or something you must embrace, and is drawn from The Reign of King Edward the Third by William Shakespeare: KING EDWARD.
Then let those foot trudge hence upon those horse
According to our discharge, and be gone.--
Darby, I'll look upon the Countess' mind anon.
DERBY.
The Countess' mind, my liege?
KING EDWARD.
I mean the Emperour:--leave me alone.
AUDLEY.
What is his mind?
DERBY.
|