| The first excerpt represents the past or something you must release, and is drawn from Buttered Side Down by Edna Ferber: And we end by deciding on the green.
The girls at Bascom's are not gossips--they are too busy for
that--but they may be said to be delightfully well informed. How
could they be otherwise when we go to Bascom's for our wedding
dresses and party favors and baby flannels? There is news at
Bascom's that our daily paper never hears of, and wouldn't dare
print if it did.
So when Millie Whitcomb, of the fancy goods and notions,
expressed her hunger for a homely heroine, I did not resent the
suggestion. On the contrary, it sent me home in thoughtful mood,
for Millie Whitcomb has acquired a knowledge of human nature in the
Buttered Side Down |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Heritage of the Desert by Zane Grey: which no one dared to break.
Naab consigned the bodies of the rustlers to the famous cemetery under
the red wall. He laid Dene in grave thirty-one. It was the grave that
the outlaw had promised as the last resting-place of Dene's spy. Chance
and Culver he buried together. It was noteworthy that no Mormon rites
were conferred on Culver, once a Mormon in good standing, nor were any
prayers spoken over the open graves.
What did August Naab intend to do? That was the question in Hare's mind
as he left the house. It was a silent day, warm as summer, though the
sun was overcast with gray clouds; the birds were quiet in the trees;
there was no bray of burro or clarion-call of peacock, even the hum of
The Heritage of the Desert |
The third excerpt represents the future or something you must embrace, and is drawn from Eve and David by Honore de Balzac: "If David can prove that he has succeeded, I shall not hesitate to go
into partnership with him, and reckon his discovery as half the
capital," the tall Cointet told him.
The suspicious old man learned a good deal over nips of brandy with
the work-people, and something more by questioning Petit-Claud and
feigning stupidity; and at length he felt convinced that the Cointets
were the real movers behind Metivier; they were plotting to ruin
Sechard's printing establishment, and to lure him (Sechard) on to pay
his son's debts by holding out the discovery as a bait. The old man of
the people did not suspect that Petit-Claud was in the plot, nor had
he any idea of the toils woven to ensnare the great secret. A day came
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