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Today's Stichomancy for Al Pacino

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Scarlet Pimpernel by Baroness Emmuska Orczy:

breaking down, and thus adding to the young man's anxiety, which evidently had become very keen.

Though he tried to hide it, Marguerite could see that Sir Andrew was just as anxious as she was to reach his comrade and friend. This enforced inactivity was terrible to them both.

How they spend that wearisome day at Dover, Marguerite could never afterwards say. She was in terror of showing herself, lest Chauvelin's spies happened to be about, so she had a private sitting-room, and she and Sir Andrew sat there hour after hour, trying to take, at long intervals, some perfunctory meals, which little Sally would bring them, with nothing to do but to think, to conjecture, and


The Scarlet Pimpernel
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mirror of the Sea by Joseph Conrad:

utmost preparedness to jump at the very first hint of some sort of order, but otherwise in a perfectly acquiescent state of mind. Suddenly, out of the companion would appear a tall, dark figure, bareheaded, with a short white beard of a perpendicular cut, very visible in the dark - Captain S-, disturbed in his reading down below by the frightful bounding and lurching of the ship. Leaning very much against the precipitous incline of the deck, he would take a turn or two, perfectly silent, hang on by the compass for a while, take another couple of turns, and suddenly burst out:

"What are you trying to do with the ship?"

And Mr. P-, who was not good at catching what was shouted in the


The Mirror of the Sea
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Island of Doctor Moreau by H. G. Wells:

expect that the terror of that island will ever altogether leave me. At most times it lies far in the back of my mind, a mere distant cloud, a memory, and a faint distrust; but there are times when the little cloud spreads until it obscures the whole sky. Then I look about me at my fellow-men; and I go in fear. I see faces, keen and bright; others dull or dangerous; others, unsteady, insincere,--none that have the calm authority of a reasonable soul. I feel as though the animal was surging up through them; that presently the degradation of the Islanders will be played over again on a larger scale. I know this is an illusion; that these seeming men and women about me are indeed men and women,--men and women for ever, perfectly


The Island of Doctor Moreau
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

So much display of life I can myself swear to. I have heard from others that he visibly strove to speak, that his teeth showed in his beard, and that his brow was contorted as with an agony of pain and effort. And this may have been; I know not, I was otherwise engaged. For at that first disclosure of the dead man's eyes, my Lord Durrisdeer fell to the ground, and when I raised him up, he was a corpse.

Day came, and still Secundra could not be persuaded to desist from his unavailing efforts. Sir William, leaving a small party under my command, proceeded on his embassy with the first light; and still the Indian rubbed the limbs and breathed in the mouth of the