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Today's Stichomancy for Al Pacino

The first excerpt represents the past or something you must release, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

interrogatory. It might help to confirm my already settled conviction, if it did not elicit any new evidence.

Seated in Bourgonef's room, in the old place, each with a cigar, and chatting as of old on public affairs, I gradually approached the subject of the recent murder.

"Is it not strange," I said, "that both these crimes should have happened while we were casually staying in both places?"

"Perhaps we are the criminals," he replied, laughing. I shivered slightly at this audacity. He laughed as he spoke, but there was a hard, metallic, and almost defiant tone in his voice which exasperated me.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Damaged Goods by Upton Sinclair:

George and his mother paid a visit to the farm in the country, and arranged that the country woman should put her own child to nurse elsewhere and should become the foster-mother of little Gervaise.

George paid a good price for the service, far more than would have been necessary, for the simple country woman was delighted with the idea of taking care of the grandchild of the deputy of her district. George came home and told his wife about this and had a merry time as he pictured the woman boasting about it to the travelers who stopped at her door. "Yes, ma'am, a great piece of luck I've got, ma'am. I've got the daughter of the daughter of our deputy--at your service ma'am. My! But she is

The third excerpt represents the future or something you must embrace, and is drawn from Jane Eyre by Charlotte Bronte:

I felt cold and dismayed: my worst fears then were probably true: he had in all probability left England and rushed in reckless desperation to some former haunt on the Continent. And what opiate for his severe sufferings--what object for his strong passions--had he sought there? I dared not answer the question. Oh, my poor master--once almost my husband--whom I had often called "my dear Edward!"

"He must have been a bad man," observed Mr. Rivers.

"You don't know him--don't pronounce an opinion upon him," I said, with warmth.

"Very well," he answered quietly: "and indeed my head is otherwise


Jane Eyre