| The first excerpt represents the past or something you must release, and is drawn from The School For Scandal by Richard Brinsley Sheridan: TRIP. Harkee--I heard the Bell--I believe, Gentlemen I can now
introduce you--don't forget the annuity little Moses.
SIR OLIVER. If the man be a shadow of his Master this is the Temple
of Dissipation indeed!
[Exeunt.]
SCENE III.--CHARLES, CARELESS, etc., etc.
At Table with Wine
CHARLES. 'Fore Heaven, 'tis true!--there is the great Degeneracy
of the age--many of our acquaintance have Taste--Spirit, and
Politeness--but plague on't they won't drink----
CARELESS. It is so indeed--Charles--they give into all the
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Middlemarch by George Eliot: with that poor boy disappointed as he is."
"That has nothing to do with my marriage, mamma. Fred must leave off
being idle. I am going up-stairs to take this work to Miss Morgan:
she does the open hemming very well. Mary Garth might do some work
for me now, I should think. Her sewing is exquisite; it is the nicest
thing I know about Mary. I should so like to have all my cambric
frilling double-hemmed. And it takes a long time."
Mrs. Vincy's belief that Rosamond could manage her papa was
well founded. Apart from his dinners and his coursing, Mr. Vincy,
blustering as he was, had as little of his own way as if he had
been a prime minister: the force of circumstances was easily
Middlemarch |
The third excerpt represents the future or something you must embrace, and is drawn from Dreams & Dust by Don Marquis: REALITIES
THE STRUGGLE
THE REBEL
THE CHILD AND THE MILL
"SIC TRANSIT GLORIA MUNDI"
THE COMRADE
ENVOI
PROEM
"SO LET THEM PASS, THESE SONGS OF MINE"
So let them pass, these songs of mine,
Into oblivion, nor repine;
|
