The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Venus and Adonis by William Shakespeare: But when Adonis liv'd, sun and sharp air 1085
Lurk'd like two thieves, to rob him of his fair:
'And therefore would he put his bonnet on,
Under whose brim the gaudy sun would peep; 1088
The wind would blow it off, and, being gone,
Play with his locks: then would Adonis weep;
And straight, in pity of his tender years,
They both would strive who first should dry his tears.
'To see his face the lion walk'd along 1093
Behind some hedge, because he would not fear him;
To recreate himself when he hath sung,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wizard of Oz by L. Frank Baum: and princesses with most gorgeous frocks of silver and gold and
purple; and shepherds dressed in knee breeches with pink and
yellow and blue stripes down them, and golden buckles on their
shoes; and princes with jeweled crowns upon their heads, wearing
ermine robes and satin doublets; and funny clowns in ruffled gowns,
with round red spots upon their cheeks and tall, pointed caps.
And, strangest of all, these people were all made of china, even to
their clothes, and were so small that the tallest of them was no
higher than Dorothy's knee.
No one did so much as look at the travelers at first, except
one little purple china dog with an extra-large head, which came
 The Wizard of Oz |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Personal Record by Joseph Conrad: going to sea, I had to wait my opportunity. Let me confess here
that I was never one of those wonderful fellows that would go
afloat in a wash-tub for the sake of the fun, and if I may pride
myself upon my consistency, it was ever just the same with my
writing. Some men, I have heard, write in railway carriages, and
could do it, perhaps, sitting crossed-legged on a clothes-line;
but I must confess that my sybaritic disposition will not consent
to write without something at least resembling a chair. Line by
line, rather than page by page, was the growth of "Almayer's
Folly."
And so it happened that I very nearly lost the MS., advanced now
 A Personal Record |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from My Bondage and My Freedom by Frederick Douglass: were JENNY, ESTHER, MILLY, PRISCILLA, and HARRIET. The daughter
last named was my mother, of whom the reader shall learn more by-
and-by.
Living here, with my dear old grandmother and grandfather, it was
a long time before I knew myself to be _a slave_. I knew many
other things before I knew that. Grandmother and grandfather
were the greatest people in the world to me; and being with them
so snugly in their own little cabin--I supposed it be their own--
knowing no higher authority over me or the other children than
the authority of grandmamma, for a time there was nothing to
disturb me; but, as I grew larger and older, I learned by degrees
 My Bondage and My Freedom |