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Today's Stichomancy for Alan Greenspan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tarzan the Untamed by Edgar Rice Burroughs:

rough, and that it was no longer cool but hot and moist; and suddenly he opened his eyes and looked up into the face of a huge lion.

Lieutenant Harold Percy Smith-Oldwick was not only an English gentleman and an officer in name, he was also what these implied -- a brave man; but when he realized that the sweet picture he had looked upon was but the figment of a dream, and that in reality he still lay where he had fallen at the foot of the grating with a lion standing over him licking his face, the tears sprang to his eyes and ran down his cheeks. Never, he thought, had an unkind fate played so cruel a joke


Tarzan the Untamed
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Eugenie Grandet by Honore de Balzac:

six. She is still beautiful, but with the beauty of a woman who is nearly forty years of age. Her face is white and placid and calm; her voice gentle and self-possessed; her manners are simple. She has the noblest qualities of sorrow, the saintliness of one who has never soiled her soul by contact with the world; but she has also the rigid bearing of an old maid and the petty habits inseparable from the narrow round of provincial life. In spite of her vast wealth, she lives as the poor Eugenie Grandet once lived. The fire is never lighted on her hearth until the day when her father allowed it to be lighted in the hall, and it is put out in conformity with the rules which governed her youthful years. She dresses as her mother dressed.


Eugenie Grandet
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beast in the Jungle by Henry James:

was still in the air, she appeared to present it as inordinately soft. This, prompting bewilderment, made him but gape the more gratefully for her revelation, so that they continued for some minutes silent, her face shining at him, her contact imponderably pressing, and his stare all kind but all expectant. The end, none the less, was that what he had expected failed to come to him. Something else took place instead, which seemed to consist at first in the mere closing of her eyes. She gave way at the same instant to a slow fine shudder, and though he remained staring--though he stared in fact but the harder--turned off and regained her chair. It was the end of what she had been intending, but it left him

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

frame seemed to grow taller and broader as he faced the Chief with an air of quiet determination that made him at once master of the situation. His voice was as low as ever but it took on a keen incisive note that compelled attention, as he continued: "Herbert Thorne is the murderer of Leopold Winkler. Now that he knows an innocent man is under accusation for his deed it is only a question of time before he will come himself to confess. He will doubtless make this confession to me, if I go to Venice to see him, and to bring him back to trial."

The commissioner could doubt no longer. Pedantic though he was, Commissioner von Riedau possessed sufficient insight to know the