Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Alan Greenspan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gobseck by Honore de Balzac:

the way of business; look into it, see if you can pay it; I don't like a man to agree too easily. Is it too much?'

" 'No,' said I, 'I will make up for it by working a little harder.'

" 'Gad! your clients will pay for it!' said he, looking at me wickedly out of the corner of his eyes.

" 'No, by all the devils in hell!' cried I, 'it shall be I who will pay. I would sooner cut my hand off than flay people.'

" 'Good-night,' said Daddy Gobseck.

" 'Why, fees are all according to scale,' I added.

" 'Not for compromises and settlements out of Court, and cases where litigants come to terms,' said he. 'You can send in a bill for


Gobseck
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Agnes Grey by Anne Bronte:

that cast of countenance: but the only thing I particularly noticed about him was his style of reading; which appeared to me good - infinitely better, at least, than Mr. Hatfield's. He read the Lessons as if he were bent on giving full effect to every passage; it seemed as if the most careless person could not have helped attending, nor the most ignorant have failed to understand; and the prayers he read as if he were not reading at all, but praying earnestly and sincerely from his own heart.'

'Oh, yes, that's all he is good for: he can plod through the service well enough; but he has not a single idea beyond it.'

'How do you know?'


Agnes Grey
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Westward Ho! by Charles Kingsley:

above the wooded wall of the hills the sky is flushing with rose and amber.

A long line of gulls goes wailing up inland; the rooks from Annery come cawing and sporting round the corner at Landcross, while high above them four or five herons flap solemnly along to find their breakfast on the shallows. The pheasants and partridges are clucking merrily in the long wet grass; every copse and hedgerow rings with the voice of birds, but the lark, who has been singing since midnight in the "blank height of the dark," suddenly hushes his carol and drops headlong among the corn, as a broad-winged buzzard swings from some wooded peak into the abyss of the valley,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hidden Masterpiece by Honore de Balzac:

compliment the old drunkard, laid a hand upon his shoulder and discovered the deception. Frenhofer is a man carried away by the passion of his art; he sees above and beyond what other painters see. He has meditated deeply on color and the absolute truth of lines; but by dint of much research, much thought, much study, he has come to doubt the object for which he is searching. In his hours of despair he fancies that drawing does not exist, and that lines can render nothing but geometric figures. That, of course, is not true; because with a black line which has no color we can represent the human form. This proves that our art is made up, like nature, of an infinite number of elements. Drawing gives the skeleton, and color gives the life; but