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Today's Stichomancy for Alan Moore

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

little wooden ships that rode out the gale in which the great Nautilus went down. There is money in notes and in coin--in purses, in pocketbooks, and in pockets: plenty of it! There are silks, satins, laces, and fine linen to be stripped from the bodies of the drowned,--and necklaces, bracelets, watches, finger-rings and fine chains, brooches and trinkets ... "Chi bidizza!--Oh! chi bedda mughieri! Eccu, la bidizza!" That ball-dress was made in Paris by--But you never heard of him, Sicilian Vicenzu ... "Che bella sposina!" Her betrothal ring will not come off, Giuseppe; but the delicate bone snaps easily: your oyster-knife can sever the tendon ... "Guardate! chi bedda

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson:

the eye, and the mothers make haste to mingle in the dissension. Perhaps there is trouble about a broken dish; perhaps Mrs. Assistant is more highly born than Mrs. Principal and gives herself airs; and the men are drawn in and the servants presently follow. `Church privileges have been denied the keeper's and the assistant's servants,' I read in one case, and the eminently Scots periphrasis means neither more nor less than excommunication, `on account of the discordant and quarrelsome state of the families. The cause, when inquired into, proves to be TITTLE-TATTLE on both sides.' The tender comes round; the foremen and artificers go from

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

a capitalist, a magistrate like a functionary, a royalist with pious and monarchical sentiments, a bourgeois as one of themselves. In short, wherever he was he was just what he ought to be; he left Gaudissart at the door when he went in, and picked him up when he came out.

Until 1830 the illustrious Gaudissart was faithful to the article Paris. In his close relation to the caprices of humanity, the varied paths of commerce had enabled him to observe the windings of the heart of man. He had learned the secret of persuasive eloquence, the knack of loosening the tightest purse-strings, the art of rousing desire in the souls of husbands, wives, children, and servants; and what is

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Three Taverns by Edwin Arlington Robinson:

Than I who tell you this, or more to gain; And whether I speak as one to be destroyed For no good end outside his own destruction, Time shall have more to say than men shall hear Between now and the coming of that harvest Which is to come. Before it comes, I go -- By the short road that mystery makes long For man's endurance of accomplishment. I shall have more to say when I am dead.

The False Gods

"We are false and evanescent, and aware of our deceit,