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Today's Stichomancy for Alan Moore

The first excerpt represents the past or something you must release, and is drawn from Protagoras by Plato:

Certainly.

And they who do not act rightly act foolishly, and in acting thus are not temperate?

I agree, he said.

Then to act foolishly is the opposite of acting temperately?

He assented.

And foolish actions are done by folly, and temperate actions by temperance?

He agreed.

And that is done strongly which is done by strength, and that which is weakly done, by weakness?

He assented.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The King of the Golden River by John Ruskin:

what he had got to say for himself. Gluck told them his story, of which, of course, they did not believe a word. They beat him again, till their arms were tired, and staggered to bed. In the morning, however, the steadiness with which he adhered to his story obtained him some degree of credence; the immediate consequence of which was that the two brothers, after wrangling a long time on the knotty question, which of them should try his fortune first, drew their swords and began fighting. The noise of the fray alarmed the neighbors, who, finding they could not pacify the combatants, sent for the constable.

Hans, on hearing this, contrived to escape, and hid himself;

The third excerpt represents the future or something you must embrace, and is drawn from End of the Tether by Joseph Conrad:

without a word, cast off the painter. They were ex- pecting him still down there. They were waiting, till a voice suddenly exclaimed--

"We are adrift! Shove off!"

"Captain Whalley! Leap! . . . pull up a little . . . leap! You can swim."

In that old heart, in that vigorous body, there was, that nothing should be wanting, a horror of death that apparently could not be overcome by the horror of blindness. But after all, for Ivy he had carried his point, walking in his darkness to the very verge of a


End of the Tether