Today's Stichomancy for Alan Moore

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from My Antonia by Willa Cather:

The next summer, when the long trains of wagons came through with all the women and children, they had the sunflower trail to follow. I believe that botanists do not confirm Fuchs's story, but insist that the sunflower was native to those plains. Nevertheless, that legend has stuck in my mind, and sunflower-bordered roads always seem to me the roads to freedom.

I used to love to drift along the pale-yellow cornfields, looking for the damp spots one sometimes found at their edges, where the smartweed soon turned a rich copper colour and the narrow brown leaves hung curled like cocoons about the swollen joints of the stem. Sometimes I went south to visit our German neighbours and to admire

My Antonia

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Arizona Nights by Stewart Edward White:

these low-set, heavyweight propositions with feathers on their laigs, and not much laigs at that, called Cochin Chinys. The other was a tall ridiculous outfit made up entire of bulgin' breast and gangle laigs. They stood about two foot and a half tall, and when they went to peck the ground their tail feathers stuck straight up to the sky. Tusky called 'em Japanese Games. "Which the chief advantage of them chickens is," says he, "that in weight about ninety per cent of 'em is breast meat. Now my idee is, that if we can cross 'em with these Cochin Chiny fowls we'll have a low-hung, heavyweight chicken runnin' strong on

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Burning Daylight by Jack London:

who was destined to feel, in the days to come, the crushing weight of the Klondiker's financial paw.

The storm-centre of a combined newspaper attack lasting for months, Daylight's character had been torn to shreds. There was no fact in his history that had not been distorted into a criminality or a vice. This public making of him over into an iniquitous monster had pretty well crushed any lingering hope he had of getting acquainted with Dede Mason. He felt that there was no chance for her ever to look kindly on a man of his caliber, and, beyond increasing her salary to seventy-five dollars a month, he proceeded gradually to forget about her. The

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Ruling Passion by Henry van Dyke:

the dust, the fruit is spoiled."

"And yet"--so the man's thought shone through everywhere--"I think she must know that I love her, and why I cannot speak."

One entry was written in a clearer, stronger hand: "An end of hesitation. The longest way is the shortest. I am going to the city to work for the Academy prize, to think of nothing else until I win it, and then come back with it to Claire, to tell her that I have a future, and that it is hers. If I spoke of it now it would be like claiming the reward before I had done the work. I have told her only that I am going to prove myself an artist, AND TO LIVE FOR WHAT I LOVE BEST. She understood, I am sure, for she would not lift