| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Lover's Complaint by William Shakespeare: And knew the patterns of his foul beguiling;
Heard where his plants in others' orchards grew,
Saw how deceits were gilded in his smiling;
Knew vows were ever brokers to defiling;
Thought characters and words, merely but art,
And bastards of his foul adulterate heart.
'And long upon these terms I held my city,
Till thus he 'gan besiege me: Gentle maid,
Have of my suffering youth some feeling pity,
And be not of my holy vows afraid:
That's to you sworn, to none was ever said;
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Time Machine by H. G. Wells: carefully we shall readjust the balance of animal and vegetable
me to suit our human needs.
`This adjustment, I say, must have been done, and done well;
done indeed for all Time, in the space of Time across which my
machine had leaped. The air was free from gnats, the earth from
weeds or fungi; everywhere were fruits and sweet and delightful
flowers; brilliant butterflies flew hither and thither. The
ideal of preventive medicine was attained. Diseases had been
stamped out. I saw no evidence of any contagious diseases during
all my stay. And I shall have to tell you later that even the
processes of putrefaction and decay had been profoundly affected
 The Time Machine |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Exiles by Honore de Balzac: Like all the houses of that date, this cottage was crowned by a peaked
roof, forming a gable-end to the front, or half a diamond. To the
great regret of historians, but two or three examples of such roofs
survive in Paris. A round opening gave light to a loft, where the
constable's wife dried the linen of the Chapter, for she had the honor
of washing for the Cathedral--which was certainly not a bad customer.
On the first floor were two rooms, let to lodgers at a rent, one year
with another, of forty sous /Parisis/ each, an exorbitant sum, that
was however justified by the luxury Tirechair had lavished on their
adornment. Flanders tapestry hung on the walls, and a large bed with a
top valance of green serge, like a peasant's bed, was amply furnished
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hunting of the Snark by Lewis Carroll: "And proceed without further remark
To the day when you took me aboard of your ship
To help you in hunting the Snark.
"A dear uncle of mine (after whom I was named)
Remarked, when I bade him farewell--"
"Oh, skip your dear uncle!" the Bellman exclaimed,
As he angrily tingled his bell.
"He remarked to me then," said that mildest of men,
" 'If your Snark be a Snark, that is right:
Fetch it home by all means--you may serve it with greens,
And it's handy for striking a light.
 The Hunting of the Snark |