| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On Horsemanship by Xenophon: and vice versa. And the reason we approve of this method of mounting
is[8] that it enables the soldier at one and the same instant to get
astride of his horse and to find himself prepared at all points,
supposing he should have to enter the lists of battle on a sudden.
[8] Lit. "One reason for the praise which we bestow on this method of
mounting is that at the very instant of gaining his seat the
soldier finds himself fully prepared to engage the enemy on a
sudden, if occasion need."
But now, supposing the rider fairly seated, whether bareback or on a
saddle-cloth, a good seat is not that of a man seated on a chair, but
rather the pose of a man standing upright with his legs apart. In this
 On Horsemanship |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Warlord of Mars by Edgar Rice Burroughs: their new antagonists press them too closely.
But I have faced heavier odds myself than were pitted against
me that day, and I knew that Kantos Kan had battled his way from
a hundred more dangerous traps than that in which he now was.
So it was with no feelings of despair that I turned my attention
to the business of the moment.
Constantly my thoughts reverted to Dejah Thoris, and I longed for
the moment when, the fighting done, I could fold her in my arms,
and hear once more the words of love which had been denied me for
 The Warlord of Mars |