The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Black Dwarf by Walter Scott: about thae newfangled notions o' peace and quietness--he's a' for
the auld-warld doings o' lifting and laying on, and he has a
wheen stout lads at his back too, and keeps them weel up in
heart, and as fu' o' mischief as young colts. Where he gets the
gear to do't nane can say; he lives high, and far abune his rents
here; however, he pays his way--Sae, if there's ony out-break in
the country, he's likely to break out wi' the first--and weel
does he mind the auld quarrels between ye, I'm surmizing he'll be
for a touch at the auld tower at Earnscliff."
"Well, Hobbie," answered the young gentleman, "if he should be so
ill advised, I shall try to make the old tower good against him,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Last War: A World Set Free by H. G. Wells: sheath of varied and even incompatible possibilities, a
palimpsest of inherited dispositions. It was the habit of many
writers in the early twentieth century to speak of competition
and the narrow, private life of trade and saving and suspicious
isolation as though such things were in some exceptional way
proper to the human constitution, and as though openness of mind
and a preference for achievement over possession were abnormal
and rather unsubstantial qualities. How wrong that was the
history of the decades immediately following the establishment of
the world republic witnesses. Once the world was released from
the hardening insecurities of a needless struggle for life that
 The Last War: A World Set Free |