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Today's Stichomancy for Alec Guinness

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Peter Pan by James M. Barrie:

the ground listening, his great arms bare, pieces of eight in his ears as ornaments, is the handsome Italian Cecco, who cut his name in letters of blood on the back of the governor of the prison at Gao. That gigantic black behind him has had many names since he dropped the one with which dusky mothers still terrify their children on the banks of the Guadjo-mo. Here is Bill Jukes, every inch of him tattooed, the same Bill Jukes who got six dozen on the WALRUS from Flint before he would drop the bag of moidores [Portuguese gold pieces]; and Cookson, said to be Black Murphy's brother (but this was never proved), and Gentleman Starkey, once an usher in a public school and still dainty in his


Peter Pan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

"Thinkest thou," she answered without raising her mournful head, "that the Agencies of Nature are the movements of chance? The Spirits I invoked to his aid are leagued with the hosts that assail. A mightier than I am has doomed him!"

Scarcely had she uttered these words before Margrave exclaimed, "Behold how the Rose of the alchemist's dream enlarges its blooms from the folds of its petals! I shall live, I shall live!"

I looked, and the liquid which glowed in the caldron had now taken a splendor that mocked all comparisons borrowed from the luster of gems. In its prevalent color it had, indeed, the dazzle and flash of the ruby; but out from the mass of the molten red, broke

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Virginian by Owen Wister:

He met her. "Of burning Southern negroes in public, no. Of hanging Wyoming cattle thieves in private, yes. You perceive there's a difference, don't you?"

"Not in principle," said the girl, dry and short.

"Oh--dear--me!" slowly exclaimed the Judge. "I am sorry that you cannot see that, because I think that I can. And I think that you have just as much sense as I have." The Judge made himself very grave and very good-humored at the same time. The poor girl was strung to a high pitch, and spoke harshly in spite of herself.

"What is the difference in principle?" she demanded.

"Well," said the Judge, easy and thoughtful, "what do you mean by


The Virginian
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jungle by Upton Sinclair:

drawback to him if there was an agitator talking in the lobby. These Western fellows were just "meat" for Tommy Hinds--he would get a dozen of them around him and paint little pictures of "the System." Of course, it was not a week before he had heard Jurgis's story, and after that he would not have let his new porter go for the world. "See here," he would say, in the middle of an argument, "I've got a fellow right here in my place who's worked there and seen every bit of it!" And then Jurgis would drop his work, whatever it was, and come, and the other would say, "Comrade Jurgis, just tell these gentlemen what you saw on the killing-beds." At first this request caused poor Jurgis the