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Today's Stichomancy for Aleister Crowley

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Misalliance by George Bernard Shaw:

Whitman.

LORD SUMMERHAYS. I shall go to the billiard room and get the balls for you.

LINA. Thank you.

_Lord Summerhays goes out through the vestibule door._

TARLETON. _[going to her]_ Listen to me. _[She turns quickly]._ What you said just now was beautiful. You touch chords. You appeal to the poetry in a man. You inspire him. Come now! Youre a woman of the world: youre independent: you must have driven lots of men crazy. You know the sort of man I am, dont you? See through me at a glance, eh?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Touchstone by Edith Wharton:

prosperity--"Any news?"

"No--none--" he said, roused to a sense of immediate peril. The papers lay scattered at his feet--what if she were to see them? He stretched his arm to gather them up, but his next thought showed him the futility of such concealment. The same advertisement would appear every day, for weeks to come, in every newspaper; how could he prevent her seeing it? He could not always be hiding the papers from her. . . . Well, and what if she did see it? It would signify nothing to her, the chances were that she would never even read the book. . . . As she ceased to be an element of fear in his calculations the distance between

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ion by Plato:

light' of intelligence which mingles with them and becomes discoloured by them. Imagination is often at war with reason and fact. The concentration of the mind on a single object, or on a single aspect of human nature, overpowers the orderly perception of the whole. Yet the feelings too bring truths home to the minds of many who in the way of reason would be incapable of understanding them. Reflections of this kind may have been passing before Plato's mind when he describes the poet as inspired, or when, as in the Apology, he speaks of poets as the worst critics of their own writings--anybody taken at random from the crowd is a better interpreter of them than they are of themselves. They are sacred persons, 'winged and holy things' who have a touch of madness in their composition

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Modeste Mignon by Honore de Balzac:

CHAPTER IX

THE POWER OF THE UNSEEN

To Monsieur de Canalis:

My friend,--Suffer me to give you that name,--you have delighted me; I would not have you other than you are in this letter, the first--oh, may it not be the last! Who but a poet could have excused and understood a young girl so delicately?

I wish to speak with the sincerity that dictated the first lines of your letter. And first, let me say that most fortunately you do not know me. I can joyfully assure you than I am neither that hideous Mademoiselle Vilquin nor the very noble and withered


Modeste Mignon