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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flame and Shadow by Sara Teasdale:

A wood-thrush is singing soft as a viol In the heart of the hollow where the dark pools are; The primrose has opened her pale yellow flowers And heaven is lighting star after star.

Places I love come back to me like music -- Mid-ocean, midnight, the waves buzz drowsily; In the ship's deep churning the eerie phosphorescence Is like the souls of people who were drowned at sea, And I can hear a man's voice, speaking, hushed, insistent, At midnight, in mid-ocean, hour on hour to me.

Old Tunes

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

University of Padua. Giovanni, who had but a scanty supply of gold ducats in his pocket, took lodgings in a high and gloomy chamber of an old edifice which looked not unworthy to have been the palace of a Paduan noble, and which, in fact, exhibited over its entrance the armorial bearings of a family long since extinct. The young stranger, who was not unstudied in the great poem of his country, recollected that one of the ancestors of this family, and perhaps an occupant of this very mansion, had been pictured by Dante as a partaker of the immortal agonies of his Inferno. These reminiscences and associations, together with the tendency to heartbreak natural to a young man for the first


Mosses From An Old Manse
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Message by Honore de Balzac:

is almost entirely led by his wife, yet imagines himself to be the master; apt to domineer in trifles, and to let more important things slip past unheeded--there you have the man!

But the Countess! Ah, how sharp and startling the contrast between husband and wife! The Countess was a little woman, with a flat, graceful figure and enchanting shape; so fragile, so dainty was she, that you would have feared to break some bone if you so much as touched her. She wore a white muslin dress, a rose- colored sash, and rose-colored ribbons in the pretty cap on her head; her chemisette was moulded so deliciously by her shoulders and the loveliest rounded contours, that the sight of her

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Salammbo by Gustave Flaubert:

road undulated over little hills. Nothing was to be heard but the grating of the grasshoppers. The sun heated the yellowed grass; the ground was all chinked with crevices which in dividing formed, as it were, monstrous paving-stones. Sometimes a viper passed, or eagles flew by; the slave still continued running. Salammbo mused beneath her veils, and in spite of the heat did not lay them aside through fear of soiling her beautiful garments.

At regular distances stood towers built by the Carthaginians for the purpose of keeping watch upon the tribes. They entered these for the sake of the shade, and then set out again.

For prudence sake they had made a wide detour the day before. But they


Salammbo