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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the past or something you must release, and is drawn from Moral Emblems by Robert Louis Stevenson:

Follow, through all my favourite haunts, My devious traces in the dews.

To guide and cheer me, each attends; Each speeds my rapid task along; One to my cuts her ardour lends, One breathes her magic in my song.

Poem: II - THE PRECARIOUS MILL

Alone above the stream it stands, Above the iron hill, The topsy-turvy, tumble-down, Yet habitable mill.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Pair of Blue Eyes by Thomas Hardy:

and that's all she did.'

'No, no,' said the young man stilly, and with a rising colour.

'"And sure in language strange she said, I love thee true."'

'Not at all,' she rejoined quickly. 'See how I can gallop. Now, Pansy, off!' And Elfride started; and Stephen beheld her light figure contracting to the dimensions of a bird as she sank into the distance--her hair flowing.

He walked on in the same direction, and for a considerable time could see no signs of her returning. Dull as a flower without the sun he sat down upon a stone, and not for fifteen minutes was any


A Pair of Blue Eyes
The third excerpt represents the future or something you must embrace, and is drawn from Essays of Travel by Robert Louis Stevenson:

themselves into their clothes in twilight of the bunks. You may guess if I was pleased, not only for him, but for myself also, when I heard that the sick man was better and had gone on deck.

The morning was raw and foggy, though the sun suffused the fog with pink and amber; the fog-horn still blew, stertorous and intermittent; and to add to the discomfort, the seamen were just beginning to wash down the decks. But for a sick man this was heaven compared to the steerage. I found him standing on the hot-water pipe, just forward of the saloon deck house. He was smaller than I had fancied, and plain-looking; but his face was distinguished by strange and fascinating eyes, limpid grey from a distance, but, when looked into,