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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Voyage Out by Virginia Woolf:

miss the clue. However, on the fourth afternoon she was suddenly unable to keep Helen's face distinct from the sights themselves; her lips widened as she bent down over the bed, and she began to gabble unintelligibly like the rest. The sights were all concerned in some plot, some adventure, some escape. The nature of what they were doing changed incessantly, although there was always a reason behind it, which she must endeavour to grasp. Now they were among trees and savages, now they were on the sea, now they were on the tops of high towers; now they jumped; now they flew. But just as the crisis was about to happen, something invariably slipped in her brain, so that the whole effort had to begin over again.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

bird.

The motor-car suffers from another serious disability. It cannot manoeuvre with sufficient celerity. For instance, if it is necessary to turn round in a narrow lane, valuable time is lost in the process, and this the airman turns to account. In hilly country it is at a still greater disadvantage, the inclines, gradients, and sinuosities of the roads restricting its effectiveness very pronouncedly. It must also be remembered that, relatively speaking, the "Archibald" offers a better target to the airman than the aeroplane offers to the man behind the anti-aircraft gun on the motor below. A few well-placed bombs

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

cleaning tells of older and more terrible dwellers long forgotten, and toward this spot he hastened. He traced his way by the grotesque fungi, which always seem better nourished as one approaches the dread circle where elder beings danced and sacrificed. Finally the great light of those thicker fungi revealed a sinister green and grey vastness pushing up through the roof of the forest and out of sight. This was the nearest of the great ring of stones, and Carter knew he was close to the Zoog village. Renewing his fluttering sound, he waited patiently; and was at last rewarded by an impression of many eyes watching him. It was the Zoogs, for one sees their weird eyes long before one can discern their


The Dream-Quest of Unknown Kadath
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Voyage to Arcturus by David Lindsay:

the other side of the valley, due south, some five miles distant. It was a slender, inaccessible, dizzy spire of black rock, the angles of which were too steep to retain snow. A great upward - curving horn of rock sprang out from its topmost pinnacle. For a long time it constituted their clues landmark.

The whole ridge gradually became saturated with moisture. The surface soil was spongy, and rested on impermeable rock; it breathed in the damp mists by night, and breathed them out again by day, under Branchspell's rays. The walking grew first unpleasant, then difficult, and finally dangerous. None of the party could distinguish firm ground from bog. Sullenbode sank up to her waist in