Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the past or something you must release, and is drawn from The Call of the Wild by Jack London:

work. All day they swung up and down the main street in long teams, and in the night their jingling bells still went by. They hauled cabin logs and firewood, freighted up to the mines, and did all manner of work that horses did in the Santa Clara Valley. Here and there Buck met Southland dogs, but in the main they were the wild wolf husky breed. Every night, regularly, at nine, at twelve, at three, they lifted a nocturnal song, a weird and eerie chant, in which it was Buck's delight to join.

With the aurora borealis flaming coldly overhead, or the stars leaping in the frost dance, and the land numb and frozen under its pall of snow, this song of the huskies might have been the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Theaetetus by Plato:

to substitute the word 'through' for 'with.' For the senses are not like the Trojan warriors in the horse, but have a common centre of perception, in which they all meet. This common principle is able to compare them with one another, and must therefore be distinct from them (compare Republic). And as there are facts of sense which are perceived through the organs of the body, there are also mathematical and other abstractions, such as sameness and difference, likeness and unlikeness, which the soul perceives by herself. Being is the most universal of these abstractions. The good and the beautiful are abstractions of another kind, which exist in relation and which above all others the mind perceives in herself, comparing within her past, present, and future. For example; we know a thing to be hard or

The third excerpt represents the future or something you must embrace, and is drawn from Far From the Madding Crowd by Thomas Hardy:

the work was done, and, on being assured that it was, Troy entered Weatherbury churchyard about ten had marked the vacant grave early in the morning. It extent from the view of passers along the road -- a spot and bushes of alder, but now it was cleared and made the ground elsewhere. Here now stood the tomb as the men had stated, snow- white and shapely in the gloom, consisting of head and foot-stone, and enclosing border of marble-work uniting them. In the midst was mould, suitable for plants. Troy deposited his basket beside the tomb, and


Far From the Madding Crowd