Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them.

His mother! He had something on his mind to ask of her, something that he had brooded on for many months of silence. A chance phrase that he had heard at the theatre, a whispered sneer that had reached his ears one night as he waited at the stage-door, had set loose a train of horrible thoughts. He remembered it as if it had been the lash of a hunting-crop across his face. His brows knit together into a wedgelike furrow, and with a twitch of pain he bit his underlip.

"You are not listening to a word I am saying, Jim," cried Sibyl,


The Picture of Dorian Gray
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from 1984 by George Orwell:

because there will be no words in which to express it. Every concept that can ever be needed, will be expressed by exactly one word, with its meaning rigidly defined and all its subsidiary meanings rubbed out and forgotten. Already, in the Eleventh Edition, we're not far from that point. But the process will still be continuing long after you and I are dead. Every year fewer and fewer words, and the range of consciousness always a little smaller. Even now, of course, there's no reason or excuse for committing thoughtcrime. It's merely a question of self-discipline, reality-control. But in the end there won't be any need even for that. The Revolution will be complete when the language is perfect. Newspeak is Ingsoc and Ingsoc is Newspeak,' he added with a sort of mystical satisfaction. 'Has it ever


1984
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

the most charming and captivating actresses in Paris, rivaling Mme. Perrin and Mlle. Fleuriet, and destined likewise to share their fate. Coralie was a woman of a type that exerts at will a power of fascination over men. With an oval face of deep ivory tint, a mouth red as a pomegranate, and a chin subtly delicate in its contour as the edge of a porcelain cup, Coralie was a Jewess of the sublime type. The jet black eyes behind their curving lashes seemed to scorch her eyelids; you could guess how soft they might grow, or how sparks of the heat of the desert might flash from them in response to a summons from within. The circles of olive shadow about them were bounded by thick arching lines of eyebrow. Magnificent mental power, well-nigh

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The White Moll by Frank L. Packard:

rang through the garret. Danglar's hands were creeping queerly up to his temples. And then, oblivious evidently in his frenzy of the revolver in the Adventurer's hand, and his eye catching the weapons that lay upon the cot, he made a sudden dash in that direction - and Rhoda Gray, divining his intention, sprang for the cot, too, at the same time. But Danglar never reached his objective. As Rhoda Gray caught up the weapons and thrust them into her pocket, she heard Danglar's furious snarl, and whirling around, she saw the two men locked and struggling in each other's embrace.

The Adventurer's voice reached her, quick, imperative:

"Show the candle at the window, Rhoda! The Sparrow is waiting for