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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from New Arabian Nights by Robert Louis Stevenson:

The house in question stood back from the street behind an open space, part garden, part turnip-field; and several outhouses stood forward from either wing at right angles to the front. One of these had recently undergone some change. An enormous window, looking towards the north, had been effected in the wall and roof, and Leon began to hope it was a studio.

"If it's only a painter," he said with a chuckle, "ten to one we get as good a welcome as we want."

"I thought painters were principally poor," said Stubbs.

"Ah!" cried Leon, "you do not know the world as I do. The poorer the better for us!"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Laches by Plato:

NICIAS: Not at all.

LACHES: No more than the husbandmen who know the dangers of husbandry, or than other craftsmen, who have a knowledge of that which inspires them with fear or confidence in their own arts, and yet they are not courageous a whit the more for that.

SOCRATES: What is Laches saying, Nicias? He appears to be saying something of importance.

NICIAS: Yes, he is saying something, but it is not true.

SOCRATES: How so?

NICIAS: Why, because he does not see that the physician's knowledge only extends to the nature of health and disease: he can tell the sick man no

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Herodias by Gustave Flaubert:

rocky foundation, it became evident that the whole mass was a veritable honeycomb of cells, and that below those already seen were many others.

Vitellius, Phineas, his interpreter, and Sisenna, chief of the publicans, walked among these gloomy cells, attended by three eunuchs bearing torches.

In the deep shadows hideous instruments, invented by barbarians, could be seen: tomahawks studded with nails; poisoned javelins; pincers resembling the jaws of crocodiles; in short, the tetrarch possessed in his castle munitions of war sufficient for forty thousand men.

He had accumulated these weapons in anticipation of an alliance


Herodias
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

a sultan. They were entirely taken up with him, and they helped him and pampered him and watched over his glass and his plate, and yet that did not prevent his complaining.

"Who's going to cut up my meat for me? I can't; the table's a league away."

Every few seconds Simonne rose and took up a position behind his back in order to cut his meat and his bread. All the women took a great interest in the things he ate. The waiters were recalled, and he was stuffed to suffocation. Simonne having wiped his mouth for him while Rose and Lucy were changing his plate, her act struck him as very pretty and, deigning at length to show contentment: