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Today's Stichomancy for Alfred Hitchcock

The first excerpt represents the past or something you must release, and is drawn from The Mayflower Compact:

Acts, Constitutions, and Offices, from time to time, as shall be thought most meete and convenient for the Generall Good of the Colonie; unto which we promise all due Submission and Obedience.

In Witness whereof we have hereunto subscribed our names at Cape Cod the eleventh of November, in the Raigne of our Sovereigne Lord, King James of England, France, and Ireland, the eighteenth, and of Scotland, the fiftie-fourth, Anno. Domini, 1620.

Mr. John Carver Mr. Stephen Hopkins Mr. William Bradford Digery Priest

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Fairy Tales by Hans Christian Andersen:

into their cups, and asked, "Don't you know where little Kay is?"

But every flower stood in the sunshine, and dreamed its own fairy tale or its own story: and they all told her very many things, but not one knew anything of Kay.

Well, what did the Tiger-Lily say?

"Hearest thou not the drum? Bum! Bum! Those are the only two tones. Always bum! Bum! Hark to the plaintive song of the old woman, to the call of the priests! The Hindoo woman in her long robe stands upon the funeral pile; the flames rise around her and her dead husband, but the Hindoo woman thinks on the living one in the surrounding circle; on him whose eyes burn hotter than the flames--on him, the fire of whose eyes pierces her heart more than the


Fairy Tales
The third excerpt represents the future or something you must embrace, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

attraction of men.

"Some attract by music or curly hair, others by science or by civic virtue. The object is the same, and cannot be otherwise (since no other object exists),--to seduce man in order to possess him. Imagine courses of instruction for women and feminine science without men,--that is, learned women, and men not KNOWING them as learned. Oh, no! No education, no instruction can change woman as long as her highest ideal shall be marriage and not virginity, freedom from sensuality. Until that time she will remain a serf. One need only imagine, forgetting the universality of the case, the conditions in which


The Kreutzer Sonata