The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac: the most charming and captivating actresses in Paris, rivaling Mme.
Perrin and Mlle. Fleuriet, and destined likewise to share their fate.
Coralie was a woman of a type that exerts at will a power of
fascination over men. With an oval face of deep ivory tint, a mouth
red as a pomegranate, and a chin subtly delicate in its contour as the
edge of a porcelain cup, Coralie was a Jewess of the sublime type. The
jet black eyes behind their curving lashes seemed to scorch her
eyelids; you could guess how soft they might grow, or how sparks of
the heat of the desert might flash from them in response to a summons
from within. The circles of olive shadow about them were bounded by
thick arching lines of eyebrow. Magnificent mental power, well-nigh
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The White Moll by Frank L. Packard: rang through the garret. Danglar's hands were creeping queerly
up to his temples. And then, oblivious evidently in his frenzy
of the revolver in the Adventurer's hand, and his eye catching the
weapons that lay upon the cot, he made a sudden dash in that
direction - and Rhoda Gray, divining his intention, sprang for the
cot, too, at the same time. But Danglar never reached his objective.
As Rhoda Gray caught up the weapons and thrust them into her pocket,
she heard Danglar's furious snarl, and whirling around, she saw the
two men locked and struggling in each other's embrace.
The Adventurer's voice reached her, quick, imperative:
"Show the candle at the window, Rhoda! The Sparrow is waiting for
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