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Today's Stichomancy for Alyssa Milano

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Main Street by Sinclair Lewis:

He mused, "You're younger than I am. Your lips are for songs about rivers in the morning and lakes at twilight. I don't see how anybody could ever hurt you. . . . Yes. We better go."

He trudged beside her, his eyes averted. Hugh experimentally took his thumb. He looked down at the baby seriously. He burst out, "All right. I'll do it. I'll stay here one year. Save. Not spend so much money on clothes. And then I'll go East, to art-school. Work on the side-tailor shop, dressmaker's. I'll learn what I'm good for: designing clothes, stage-settings, illustrating, or selling collars to fat men. All settled." He peered at her, unsmiling.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Master of the World by Jules Verne:

Venturing within a mile of the mountain, they saw that the glare of the flames was decreasing. In truth it hardly seemed that the region was immediately menaced by any further upheaval. No stones were being hurled into space; no torrent of lava was visible upon the slopes; no rumblings rose from the ground. There was no further manifestation of any seismic disturbance capable of overwhelming the land.

At length, the flight of the fugitives ceased at a distance where they seemed secure from all danger. Then a few ventured back toward the mountain. Some farms were reoccupied before the break of day.

By morning the crests of the Great Eyrie showed scarcely the least remnant of its cloud of smoke. The fires were certainly at an end;

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Elixir of Life by Honore de Balzac:

more faithful in its service than he in his duty to Bartolommeo-- he, a man with that peculiar piece of human mechanism within him that we call a heart.

Don Juan the sceptic shut the flask again in the secret drawer in the Gothic table--he meant to run no more risks of losing the mysterious liquid.

Even at that solemn moment he heard the murmur of a crowd in the gallery, a confused sound of voices, of stifled laughter and light footfalls, and the rustling of silks--the sounds of a band of revelers struggling for gravity. The door opened, and in came the Prince and Don Juan's friends, the seven courtesans, and the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

with a bloody finger this hollow among the hills; and since the Cameronian gave his life there, two hundred years ago, in a glorious folly, and without comprehension or regret, the silence of the moss has been broken once again by the report of firearms and the cry of the dying.

The Deil's Hags was the old name. But the place is now called Francie's Cairn. For a while it was told that Francie walked. Aggic Hogg met him in the gloaming by the cairnside, and he spoke to her, with chattering teeth, so that his words were lost. He pursued Rob Todd (if any one could have believed Robbie) for the space of half a mile with pitiful entreaties. But the age is one of incredulity; these superstitious