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Today's Stichomancy for Ambrose Bierce

The first excerpt represents the past or something you must release, and is drawn from The Mysterious Affair at Styles by Agatha Christie:

remained undisturbed as we had left them.

Poirot made me recapitulate the scene of the night before, listening very carefully, and verifying the position of the various cups.

"So Mrs. Cavendish stood by the tray--and poured out. Yes. Then she came across to the window where you sat with Mademoiselle Cynthia. Yes. Here are the three cups. And the cup on the mantel-piece, half drunk, that would be Mr. Lawrence Cavendish's. And the one on the tray?"

"John Cavendish's. I saw him put it down there."

"Good. One, two, three, four, five--but where, then, is the cup


The Mysterious Affair at Styles
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

vengeance, with the net result that he was not looking at Sara Lee more than he could help.

These Americans were strange. An American girl would cross the seas, and come here alone with him - a man and human. And she would take for granted that he would do what he was doing for love of his kind - which was partly true; and she would be beautiful and sweet and amiable and quite unself-conscious. And then she would go back home, warm of heart with gratitude, and marry the man of the picture.

The village had but one street, and that deserted and in ruins. Behind its double row of houses, away from the enemy, lay the fields, a muddy canal and more poplar trees. And from far away, toward Ypres, there

The third excerpt represents the future or something you must embrace, and is drawn from Summer by Edith Wharton:

tarnished gold letters: "The Honorius Hatchard Memorial Library, 1832."

Honorius Hatchard had been old Miss Hatchard's great- uncle; though she would undoubtedly have reversed the phrase, and put forward, as her only claim to distinction, the fact that she was his great-niece. For Honorius Hatchard, in the early years of the nineteenth century, had enjoyed a modest celebrity. As the marble tablet in the interior of the library informed its infrequent visitors, he had possessed marked literary gifts, written a series of papers