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Today's Stichomancy for Andy Warhol

The first excerpt represents the past or something you must release, and is drawn from Sesame and Lilies by John Ruskin:

horses, and stout leather binding for his books. And I would urge upon every young man, as the beginning of his due and wise provision for his household, to obtain as soon as he can, by the severest economy, a restricted, serviceable, and steadily--however slowly-- increasing, series of books for use through life; making his little library, of all the furniture in his room, the most studied and decorative piece; every volume having its assigned place, like a little statue in its niche, and one of the earliest and strictest lessons to the children of the house being how to turn the pages of their own literary possessions lightly and deliberately, with no chance of tearing or dog's ears.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Damnation of Theron Ware by Harold Frederic:

After a turn or two she stopped in front of him, and looked him full in the eye. The light from the windows was on her countenance now, and its revelations vaguely troubled him. It was a Celia he had never seen before who confronted him.

"I am much occupied by other matters," she said, speaking with cold impassivity, "but still I find myself curious to know just what limits you set to your dishonesty."

Theron stared up at her. His lips quivered, but no speech came to them. If this was all merely fond playfulness, it was being carried to a heart-aching point.

"I saw you hiding about in the depot at home last evening,"


The Damnation of Theron Ware
The third excerpt represents the future or something you must embrace, and is drawn from La Grande Breteche by Honore de Balzac:

volume would scarcely contain it. Now, as the event of which she gave me a confused account stands exactly midway between the notary's gossip and that of Madame Lepas, as precisely as the middle term of a rule-of-three sum stands between the first and third, I have only to relate it in as few words as may be. I shall therefore be brief.

"The room at la Grande Breteche in which Madame de Merret slept was on the ground floor; a little cupboard in the wall, about four feet deep, served her to hang her dresses in. Three months before the evening of which I have to relate the events, Madame de Merret had been seriously ailing, so much so that her husband had left her to herself, and had his own bedroom on the first floor. By one of those accidents which it


La Grande Breteche