The first excerpt represents the past or something you must release, and is drawn from Cromwell by William Shakespeare: [Enter Banister, his wife, and two officers.]
BANISTER.
O master Friskiball, you have undone me.
My state was well nigh overthrown before,
Now altogether down-cast by your means.
MISTRESS BANISTER.
O master Friskiball, pity my husband's case.
he is a man hath lived as well as any,
Till envious fortune and the ravenous sea
Did rob, disrobe, and spoil us of our own.
FRISKIBALL.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Road to Oz by L. Frank Baum: set rows of fine emeralds as large as door-knobs, while the water of
the bath was clear as crystal.
For a time the shaggy man gazed upon all this luxury with silent
amazement. Then he decided, being wise in his way, to take advantage
of his good fortune. He removed his shaggy boots and his shaggy
clothing, and bathed in the pool with rare enjoyment. After he had
dried himself with the soft towels he went into the dressing-room and
took fresh linen from the drawers and put it on, finding that
everything fitted him exactly. He examined the contents of the
closets and selected an elegant suit of clothing. Strangely enough,
everything about it was shaggy, although so new and beautiful, and he
The Road to Oz |
The third excerpt represents the future or something you must embrace, and is drawn from Sons and Lovers by D. H. Lawrence: Then she dozed off. When she came downstairs, a great fire glowed
in the grate, the room was hot, the breakfast was roughly laid,
and seated in his armchair, against the chimney-piece, sat Morel,
rather timid; and standing between his legs, the child--cropped
like a sheep, with such an odd round poll--looking wondering at her;
and on a newspaper spread out upon the hearthrug, a myriad of
crescent-shaped curls, like the petals of a marigold scattered in the
reddening firelight.
Mrs. Morel stood still. It was her first baby. She went
very white, and was unable to speak.
"What dost think o' 'im?" Morel laughed uneasily.
Sons and Lovers |