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Today's Stichomancy for Aretha Franklin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

Wotan, has removed his last moral scruple about becoming a thief. Wotan will now rob the dwarf without remorse; for is it not positively his highest duty to take this power out of such evil hands and use it himself in the interests of Godhead? On the loftiest moral grounds, he lets Loki do his worst.

A little cunningly disguised flattery makes short work of Alberic. Loki pretends to be afraid of him; and he swallows that bait unhesitatingly. But how, enquires Loki, is he to guard against the hatred of his million slaves? Will they not steal from him, whilst he sleeps, the magic ring, the symbol of his power, which he has forged from the gold of the Rhine? "You think

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ferragus by Honore de Balzac:

superiority consists in making men believe they are their inferiors in love; therefore they will readily leave a lover if he is inexperienced enough to rob them of those fears with which they seek to deck themselves, those delightful tortures of feigned jealousy, those troubles of hope betrayed, those futile expectations,--in short, the whole procession of their feminine miseries. They hold Sir Charles Grandison in horror. What can be more contrary to their nature than a tranquil, perfect love? They want emotions; happiness without storms is not happiness to them. Women with souls that are strong enough to bring infinitude into love are angelic exceptions; they are among women what noble geniuses are among men. Their great passions are rare


Ferragus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Under the Andes by Rex Stout:

bodies, some, who were merely wounded, struggling and squirming to extricate themselves from the bloody tangle.

I heard Harry's voice at my back:

"How about it? Want some help?"

"Not unless they find some gunpowder," I answered. "The idiots eat death as though it were candy. We're safe; they can never break through here."

"Are they still coming?"

"They can't; they've blocked the way with their smelly black carcasses. How is Desiree?"

"Better; she's awake. I've been bathing her ankle with cold

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dracula by Bram Stoker:

in shorthand all that has happened since I closed it last. It is the nineteenth century up-to-date with a vengeance. And yet, unless my senses deceive me, the old centuries had, and have, powers of their own which mere "modernity" cannot kill.

Later: The morning of 16 May.--God preserve my sanity, for to this I am reduced. Safety and the assurance of safety are things of the past. Whilst I live on here there is but one thing to hope for, that I may not go mad, if, indeed, I be not mad already. If I be sane, then surely it is maddening to think that of all the foul things that lurk in this hateful place the Count is the least dreadful to me, that to him alone I can look for safety,


Dracula