| The first excerpt represents the past or something you must release, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther: 9. Therefore the Holy Spirit in the pope is kind to us,
because in his decrees he always makes exception of the
article of death and of necessity.
10. Ignorant and wicked are the doings of those priests who,
in the case of the dying, reserve canonical penances for
purgatory.
11. This changing of the canonical penalty to the penalty of
purgatory is quite evidently one of the tares that were sown
while the bishops slept.
12. In former times the canonical penalties were imposed not
after, but before absolution, as tests of true contrition.
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola: hotly than ever and looked scared.
The traditional three knocks were given, and among the returning
throng, attendants, laden with pelisses and overcoats, bustled about
at a great rate in order to put away people's things. The clappers
applauded the scenery, which represented a grotto on Mount Etna,
hollowed out in a silver mine and with sides glittering like new
money. In the background Vulcan's forge glowed like a setting star.
Diana, since the second act, had come to a good understanding with
the god, who was to pretend that he was on a journey, so as to leave
the way clear for Venus and Mars. Then scarcely was Diana alone
than Venus made her appearance. A shiver of delight ran round the
|
The third excerpt represents the future or something you must embrace, and is drawn from A Second Home by Honore de Balzac: on the second floor, a small set of rooms fitted by the architect as
though he had known what their use would be. A simple airy ante-room,
with a stucco dado, formed an entrance into a drawing-room and dining-
room. Out of the drawing-room opened a pretty bedroom, with a bathroom
beyond. Every chimney-shelf had over it a fine mirror elegantly
framed. The doors were crowded with arabesques in good taste, and the
cornices were in the best style. Any amateur would have discerned
there the sense of distinction and decorative fitness which mark the
work of modern French architects.
For above a month Caroline had been at home in this apartment,
furnished by an upholsterer who submitted to an artist's guidance. A
|
