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Today's Stichomancy for Aretha Franklin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

steeds to go faster.

"Pray do not be foolish, Proserpina," said he, in rather a sullen tone. "I offer you my palace and my crown, and all the riches that are under the earth; and you treat me as if I were doing you an injury. The one thing which my palace needs is a merry little maid, to run upstairs and down, and cheer up the rooms with her smile. And this is what you must do for King Pluto."

"Never!" answered Proserpina, looking as miserable as she could. "I shall never smile again till you set me down at my mother's door."


Tanglewood Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sylvie and Bruno by Lewis Carroll:

he give us in return? Shallow twaddle, that, if it were addressed to you over a dinner-table, you would think 'Does the man take me for a fool?'"

The return of Eric from his walk checked the tide of Arthur's eloquence, and, after a few minutes' talk on more conventional topics, we took our leave. Lady Muriel walked with us to the gate. "You have given me much to think about," she said earnestly, as she gave Arthur her hand. "I'm so glad you came in!" And her words brought a real glow of pleasure into that pale worn face of his.

On the Tuesday, as Arthur did not seem equal to more walking, I took a long stroll by myself, having stipulated that he was not to give the


Sylvie and Bruno
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Message by Honore de Balzac:

should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside. At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.

I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity. Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

listens and begins to long for the sight of a policeman. All at once, I saw two figures: one a little man who was stumping along eastward at a good walk, and the other a girl of maybe eight or ten who was running as hard as she was able down a cross street. Well, sir, the two ran into one another naturally enough at the corner; and then came the horrible part of the thing; for the man trampled calmly over the child's body and left her screaming on the ground. It sounds nothing to hear, but it was hellish to see. It wasn't like a man; it was like some damned Juggernaut. I gave a few halloa, took to my heels, collared my gentleman, and brought him back to where there was already quite a group about the


The Strange Case of Dr. Jekyll and Mr. Hyde