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Today's Stichomancy for Aretha Franklin

The first excerpt represents the past or something you must release, and is drawn from Babbitt by Sinclair Lewis:

woods like this, instead of a city with trolleys grinding and typewriters clacking and people bothering the life out of you all the time! I wish I knew the woods like you do. Say, what's the name of that little red flower?"

Rubbing his back, Joe regarded the flower resentfully "Well, some folks call it one thing and some calls it another I always just call it Pink Flower."

Babbitt blessedly ceased thinking as tramping turned into blind plodding. He was submerged in weariness. His plump legs seemed to go on by themselves, without guidance, and he mechanically wiped away the sweat which stung his eyes. He was too tired to be consciously glad as, after a sun-scourged mile of corduroy tote-road through a swamp where flies hovered over a hot waste of brush, they reached the cool shore of Box Car Pond. When he lifted the pack

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Proposed Roads To Freedom by Bertrand Russell:

previous decades. Taking this view, we find in Anarchist-Syndicalism the same combination of ideal and organization as we find in Socialist political parties. It is from this standpoint that our study of these movements will be undertaken.

Socialism and Anarchism, in their modern form, spring respectively from two protagonists, Marx and Bakunin, who fought a lifelong battle, culminating in a split in the first International. We shall begin our study with these two men--first their teaching, and then the organizations which they founded or

The third excerpt represents the future or something you must embrace, and is drawn from Ion by Plato:

prophets, in order that we who hear them may know them to be speaking not of themselves who utter these priceless words in a state of unconsciousness, but that God himself is the speaker, and that through them he is conversing with us. And Tynnichus the Chalcidian affords a striking instance of what I am saying: he wrote nothing that any one would care to remember but the famous paean which is in every one's mouth, one of the finest poems ever written, simply an invention of the Muses, as he himself says. For in this way the God would seem to indicate to us and not allow us to doubt that these beautiful poems are not human, or the work of man, but divine and the work of God; and that the poets are only the interpreters of the Gods by whom they are severally possessed. Was not