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Today's Stichomancy for Ariel Sharon

The first excerpt represents the past or something you must release, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

In the manner of my friend I was at once struck with an incoherence--an inconsistency; and I soon found this to arise from a series of feeble and futile struggles to overcome an habitual trepidancy--an excessive nervous agitation. For something of this nature I had indeed been prepared, no less by his letter, than by reminiscences of certain boyish traits, and by conclusions deduced from his peculiar physical conformation and temperament. His action was alternately vivacious and sullen. His voice varied rapidly from a tremulous indecision (when the animal spirits seemed utterly in abeyance) to that species of energetic concision--that abrupt, weighty,


The Fall of the House of Usher
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Aeneid by Virgil:

The steel just graz'd along the shoulder joint, And mark'd it slightly with the glancing point, Fierce Turnus first to nearer distance drew, And pois'd his pointed spear, before he threw: Then, as the winged weapon whizz'd along, "See now," said he, "whose arm is better strung." The spear kept on the fatal course, unstay'd By plates of ir'n, which o'er the shield were laid: Thro' folded brass and tough bull hides it pass'd, His corslet pierc'd, and reach'd his heart at last. In vain the youth tugs at the broken wood;


Aeneid
The third excerpt represents the future or something you must embrace, and is drawn from Intentions by Oscar Wilde:

just as well have asked me the use of thought. It is Criticism, as Arnold points out, that creates the intellectual atmosphere of the age. It is Criticism, as I hope to point out myself some day, that makes the mind a fine instrument. We, in our educational system, have burdened the memory with a load of unconnected facts, and laboriously striven to impart our laboriously-acquired knowledge. We teach people how to remember, we never teach them how to grow. It has never occurred to us to try and develop in the mind a more subtle quality of apprehension and discernment. The Greeks did this, and when we come in contact with the Greek critical intellect, we cannot but be conscious that, while our subject-