Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Arnold Schwarzenegger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Voyage to Arcturus by David Lindsay:

flaxen. He possessed neither a sorb nor a third arm - so presumably he was not a native of Ifdawn. His forehead, however, was disfigured by what looked like a haphazard assortment of eyes, eight in number, of different sizes and shapes. They went in pairs, and whenever two were in use, it was indicated by a peculiar shining - the rest remained dull, until their turn came. In addition to the upper eyes he had the two lower ones, but they were vacant and lifeless. This extraordinary battery of eyes, alternatively alive and dead, gave the young man an appearance of almost alarming mental activity. He was wearing nothing but a sort of skin kilt. Maskull seemed somehow to recognise the face, though he had certainly never set eyes on it

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Songs of Travel by Robert Louis Stevenson:

The picture as it came.

XXVIII - TO AN ISLAND PRINCESS

SINCE long ago, a child at home, I read and longed to rise and roam, Where'er I went, whate'er I willed, One promised land my fancy filled. Hence the long roads my home I made; Tossed much in ships; have often laid Below the uncurtained sky my head, Rain-deluged and wind-buffeted: And many a thousand hills I crossed

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from God The Invisible King by H. G. Wells:

by which we must seek and explain and reach up to God. Suffice it here to say that theological discussion may very easily become like the vision of a man with cataract, a mere projection of inherent imperfections. If we do not use our phraseology with a certain courage, and take that of those who are trying to convey their ideas to us with a certain politeness and charity, there is no end possible to any discussion in so subtle and intimate a matter as theology but assertions, denials, and wranglings. And about this word "person" it is necessary to be as clear and explicit as possible, though perfect clearness, a definition of mathematical sharpness, is by the very nature of the case impossible.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Frankenstein by Mary Shelley:

at once new and astonishing to me. All that he said threw greatly into the shade Cornelius Agrippa, Albertus Magnus, and Paracelsus, the lords of my imagination; but by some fatality the overthrow of these men disinclined me to pursue my accustomed studies. It seemed to me as if nothing would or could ever be known. All that had so long engaged my attention suddenly grew despicable. By one of those caprices of the mind which we are perhaps most subject to in early youth, I at once gave up my former occupations, set down natural history and all its progeny as a deformed and abortive creation, and entertained the greatest disdain for a would-be science which could never even step within the threshold of real knowledge. In this mood of mind I betook


Frankenstein