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Today's Stichomancy for Arnold Schwarzenegger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Exiles by Honore de Balzac:

At this moment the swift approach of many horses rang through the stillness, the dog barked, the constable's deep growl replied; the horsemen dismounted, knocked at the door; the noise was so unexpected that it seemed like some sudden explosion.

The two exiles, the two poets, fell to earth through all the space that divides us from the skies. The painful shock of this fall rushed through their veins like strange blood, hissing as it seemed, and full of scorching sparks. Their pain was like an electric discharge. The loud, heavy step of a man-at-arms sounded on the stairs with the iron clank of his sword, his cuirass, and spurs; a soldier presently stood before the astonished stranger.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Shadow out of Time by H. P. Lovecraft:

historic, artistic, and anthropologic knowledge; an acquisition carried on with feverish zest and with a wholly abnormal absorptive power. Then a sudden return of rightful consciousness, intermittently plagued ever after with vague unplaceable dreams suggesting fragments of some hideous memory elaborately blotted out. And the close resemblance of those nightmares to my own - even in some of the smallest particulars - left no doubt in my mind of their significantly typical nature. One or two of the cases had an added ring of faint, blasphemous familiarity, as if I had heard of them before through some cosmic channel too morbid and frightful to contemplate. In


Shadow out of Time
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Horse's Tale by Mark Twain:

comes along as well as she does. She - "

"You want her all to yourself, you stingy old thing!"

"Marse Tom, you know better. It's too much company. And then the idea of her receiving reports all the time from her officers, and acting upon them, and giving orders, the same as if she was well! It ain't good for her, and the surgeon don't like it, and tried to persuade her not to and couldn't; and when he ORDERED her, she was that outraged and indignant, and was very severe on him, and accused him of insubordination, and said it didn't become him to give orders to an officer of her rank. Well, he saw he had excited her more and done more harm than all the rest put together, so he

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

and Bradley stooped beneath the blade and put his ear close to the gruesome face. As he did so, he rested his weight upon his hands, one upon either side of the Wieroo's body, his right hand upon the hilt of the spare sword lying at the left of Him Who Speaks for Luata.

"This then is the secret of both life and death," he whispered, and at the same instant he grasped the Wieroo by the right wrist and with his own right hand swung the extra blade in a sudden vicious blow against the creature's neck before the thing could give even a single cry of alarm; then without waiting an instant Bradley leaped past the dead god and vanished behind the hides


Out of Time's Abyss