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Today's Stichomancy for Arthur E. Waite

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Passion in the Desert by Honore de Balzac:

the supple, fine outlines of her form, the whiteness of her belly, the graceful pose of her head. But it was especially when she was playing that he felt most pleasure in looking at her; the agility and youthful lightness of her movements were a continual surprise to him; he wondered at the supple way in which she jumped and climbed, washed herself and arranged her fur, crouched down and prepared to spring. However rapid her spring might be, however slippery the stone she was on, she would always stop short at the word "Mignonne."

One day, in a bright midday sun, an enormous bird coursed through the air. The man left his panther to look at his new guest; but after waiting a moment the deserted sultana growled deeply.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Euthydemus by Plato:

Dionysodorus, because Dionysodorus is present with you?

God forbid, I replied.

But how, he said, by reason of one thing being present with another, will one thing be another?

Is that your difficulty? I said. For I was beginning to imitate their skill, on which my heart was set.

Of course, he replied, I and all the world are in a difficulty about the non-existent.

What do you mean, Dionysodorus? I said. Is not the honourable honourable and the base base?

That, he said, is as I please.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Shadow Line by Joseph Conrad:

mine, and the freedom of the great waters of the globe.

But I felt no apprehension. I was familiar enough with the Archipelago by that time. Ex- treme patience and extreme care would see me through the region of broken land, of faint airs, and of dead water to where I would feel at last my command swing on the great swell and list over to the great breath of regular winds, that would give her the feeling of a large, more intense life. The road would be long. All roads are long that lead


The Shadow Line
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Riders of the Purple Sage by Zane Grey:

shade darkened the walls. Venters fed the dogs and put a halter on the dead rustlers horse. He allowed Wrangle to browse free. This done, he cut spruce boughs and made a lean-to for the girl. Then, gently lifting her upon a blanket, he folded the sides over her. The other blanket he wrapped about his shoulders and found a comfortable seat against a spruce-tree that upheld the little shack. Ring and Whitie lay near at hand, one asleep, the other watchful.

Venters dreaded the night's vigil. At night his mind was active, and this time he had to watch and think and feel beside a dying girl whom he had all but murdered. A thousand excuses he invented


Riders of the Purple Sage