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Today's Stichomancy for Arthur E. Waite

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Euthydemus by Plato:

the kingly art only gives men those goods which are neither good nor evil: and if we say further that it makes us wise, in what does it make us wise? Not in special arts, such as cobbling or carpentering, but only in itself: or say again that it makes us good, there is no answer to the question, 'good in what?' At length in despair Cleinias and Socrates turn to the 'Dioscuri' and request their aid.

Euthydemus argues that Socrates knows something; and as he cannot know and not know, he cannot know some things and not know others, and therefore he knows all things: he and Dionysodorus and all other men know all things. 'Do they know shoemaking, etc?' 'Yes.' The sceptical Ctesippus would like to have some evidence of this extraordinary statement: he will believe if

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

Mysterious lessons of sweet poesy. But soon they ceas'd; for midway of the road A tree we found, with goodly fruitage hung, And pleasant to the smell: and as a fir Upward from bough to bough less ample spreads, So downward this less ample spread, that none. Methinks, aloft may climb. Upon the side, That clos'd our path, a liquid crystal fell From the steep rock, and through the sprays above Stream'd showering. With associate step the bards Drew near the plant; and from amidst the leaves


The Divine Comedy (translated by H.F. Cary)
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant:

rustling in the breeze, and where the swift kingfishers dart about like flashes of blue lightning.

The whole family looked at them with great respect.

"They are indeed two swell boats," Monsieur Dufour repeated gravely, and he examined them closely, commenting on them like a connoisseur. He had been in the habit of rowing in his younger days, he said, and when he had that in his hands--and he went through the action of pulling the oars--he did not care a fig for anybody. He had beaten more than one Englishman formerly at the Joinville regattas. He grew quite excited at last, and offered to make a bet that in a boat like that he could row six miles an

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lone Star Ranger by Zane Grey:

halted again.

"I seen you ain't no ranger," called the rider, "an' shore I ain't none."

He laughed loudly, as if he had made a joke.

"How'd you know I wasn't a ranger?" asked Duane, curiously. Somehow he had instantly divined that his horseman was no officer, or even a rancher trailing stolen stock.

"Wal," said the fellow, starting his horse forward at a walk, "a ranger'd never git ready to run the other way from one man."

He laughed again. He was small and wiry, slouchy of attire, and armed to the teeth, and he bestrode a fine bay horse. He had


The Lone Star Ranger