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Today's Stichomancy for Arthur E. Waite

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

him, sated themselves with blood and battle. They lolled upon the ground, fagged.

In the distance Kovudoo was gathering his scattered tribesmen, and taking account of injuries and losses. His people were panic stricken. Nothing could prevail upon them to remain longer in this country. They would not even return to the village for their belongings. Instead they insisted upon continuing their flight until they had put many miles between themselves and the stamping ground of the demon who had so bitterly attacked them. And thus it befell that Korak drove from their homes the only people who might have aided him in a search for Meriem,


The Son of Tarzan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Call of Cthulhu by H. P. Lovecraft:

visiting a learned friend in Paterson, New Jersey; the curator of a local museum and a mineralogist of note. Examining one day the reserve specimens roughly set on the storage shelves in a rear room of the museum, my eye was caught by an odd picture in one of the old papers spread beneath the stones. It was the Sydney Bulletin I have mentioned, for my friend had wide affiliations in all conceivable foreign parts; and the picture was a half-tone cut of a hideous stone image almost identical with that which Legrasse had found in the swamp. Eagerly clearing the sheet of its precious contents, I scanned the item in detail; and was


Call of Cthulhu
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Cavalry General by Xenophon:

secret pickets and outposts, if only because in supplying a guard to protect your friends you are contriving an ambuscade to catch the enemy. Also the outposts will be less exposed to a secret attack, being themselves unseen, and yet a source of great alarm to the enemy; since the bare knowledge that there are outposts somewhere, though where precisely no man knows, will prevent the enemy from feeling confident, and oblige him to mistrust every tenable position. An exposed outpost, on the contrary, presents to the broad eye of day its dangers and also its weaknesses.[16] Besides which, the holder of a concealed outpost can always place a few exposed vedettes beyond his hidden pickets, and so endeavour to decoy the enemy into an ambuscade.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from My Bondage and My Freedom by Frederick Douglass:

LABORS ABROAD>A week or two before leaving the United States, I had a meeting appointed at Weymouth, the home of that glorious band of true abolitionists, the Weston family, and others. On attempting to take a seat in the omnibus to that place, I was told by the driver (and I never shall forget his fiendish hate). "_I don't allow niggers in here_!" Thank heaven for the respite I now enjoy! I had been in Dublin but a few days, when a gentleman of great respectability kindly offered to conduct me through all the public buildings of that beautiful city; and a little afterward, I found myself dining with the lord mayor of Dublin. What a pity there was not some American democratic


My Bondage and My Freedom