| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lost Princess of Oz by L. Frank Baum: She was seldom still, but loved to dance, to turn handsprings and
somersaults, to climb trees and to indulge in many other active
sports.
"I'm going to search for Ozma," remarked Dorothy, "for she isn't in
her rooms, and I want to ask her a question."
"I'll go with you," said Scraps, "for my eyes are brighter than yours,
and they can see farther."
"I'm not sure of that," returned Dorothy. "But come along, if you
like."
Together they searched all through the great palace and even to the
farthest limits of the palace grounds, which were quite extensive, but
 The Lost Princess of Oz |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Othello by William Shakespeare: Cannot but feele this wrong, as 'twere their owne:
For if such Actions may haue passage free,
Bond-slaues, and Pagans shall our Statesmen be.
Exeunt.
Scaena Tertia.
Enter Duke, Senators, and Officers.
Duke. There's no composition in this Newes,
That giues them Credite
1.Sen. Indeed, they are disproportioned;
My Letters say, a Hundred and seuen Gallies
Duke. And mine a Hundred fortie
 Othello |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Emma McChesney & Co. by Edna Ferber: excused. Hers were what might be called intelligent-looking
feet. There was nothing thick, nothing clumsy, nothing awkward
about them. And Emma treated them with the consideration they
deserved. They were shod now, in a pair of slim, aristocratic,
and modish ties above which the grateful eye caught a flashing
glimpse of black-silk stocking. Then her eye traveled up her
smartly tailored skirt, up the bodice of that well-made and
becoming costume until her glance rested on her own shoulder and
paused. Then she looked up at Mrs. Orton-Wells. The eyes of
Mrs. Orton-Wells, Miss Susan H. Croft, and Miss Gladys
Orton-Wells had, by some strange power of magnetism, followed the
 Emma McChesney & Co. |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lost Continent by Edgar Rice Burroughs: such a slit as a sharp knife would make, and in the dead
fingers of one hand was clutched a strand of long brown
hair--Victory's hair was brown.
They say that dead men tell no tales, but Snider told the
story of his end as clearly as though the dead lips had
parted and poured forth the truth. The beast had attacked
the girl, and she had defended her honor.
We buried Snider beside the Rhine, and no stone marks his
last resting place. Beasts do not require headstones.
Then we set out in the launch, turning her nose upstream.
When I had told Delcarte and Taylor that I intended
 Lost Continent |