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Today's Stichomancy for Arthur E. Waite

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Facino Cane by Honore de Balzac:

flight with me; but after six months of happiness she wished only to die with me, and received several thrusts. I was entangled in a great cloak that they flung over me, carried down to a gondola, and hurried to the Pozzi dungeons. I was twenty-two years old. I gripped the hilt of my broken sword so hard, that they could only have taken it from me by cutting off my hand at the wrist. A curious chance, or rather the instinct of self-preservation, led me to hide the fragment of the blade in a corner of my cell, as if it might still be of use. They tended me; none of my wounds were serious. At two-and-twenty one can recover from anything. I was to lose my head on the scaffold. I shammed illness to gain time. It seemed to me that the canal lay just

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Origin of Species by Charles Darwin:

might be most effective in giving the proper colour to each kind of grouse, and in keeping that colour, when once acquired, true and constant. Nor ought we to think that the occasional destruction of an animal of any particular colour would produce little effect: we should remember how essential it is in a flock of white sheep to destroy every lamb with the faintest trace of black. In plants the down on the fruit and the colour of the flesh are considered by botanists as characters of the most trifling importance: yet we hear from an excellent horticulturist, Downing, that in the United States smooth-skinned fruits suffer far more from a beetle, a curculio, than those with down; that purple plums suffer far more from a certain disease than yellow plums; whereas another disease attacks


On the Origin of Species
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Burning Daylight by Jack London:

she was more in love with than ever. At this last Daylight demurred. Bob was full of dangerous tricks, and he wouldn't trust any one on him except his worst enemy.

"You think, because I'm a girl, that I don't know anything about horses," she flashed back. "But I've been thrown off and bucked off enough not to be over-confident. And I'm not a fool. I wouldn't get on a bucking horse. I've learned better. And I'm not afraid of any other kind. And you say yourself that Bob doesn't buck."

"But you've never seen him cutting up didoes," Daylight

"But you must remember I've seen a few others, and I've been on

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A House of Pomegranates by Oscar Wilde:

'Who is thy mother, and wherefore art thou seeking for her?'

And he answered, 'My mother is a beggar even as I am, and I have treated her evilly, and I pray ye to suffer me to pass that she may give me her forgiveness, if it be that she tarrieth in this city.' But they would not, and pricked him with their spears.

And, as he turned away weeping, one whose armour was inlaid with gilt flowers, and on whose helmet couched a lion that had wings, came up and made inquiry of the soldiers who it was who had sought entrance. And they said to him, 'It is a beggar and the child of a beggar, and we have driven him away.'

'Nay,' he cried, laughing, 'but we will sell the foul thing for a