| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Treasure Island by Robert Louis Stevenson:
 Treasure Island |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Snow Image by Nathaniel Hawthorne: tongue, indeed, was a magic instrument: sometimes it rumbled like
the thunder; sometimes it warbled like the sweetest music. It was
the blast of war, the song of peace; and it seemed to have a
heart in it, when there was no such matter. In good truth, he was
a wondrous man; and when his tongue had acquired him all other
imaginable success,--when it had been heard in halls of state,
and in the courts of princes and potentates,--after it had made
him known all over the world, even as a voice crying from shore
to shore,--it finally persuaded his countrymen to select him for
the Presidency. Before this time,--indeed, as soon as he began to
grow celebrated,--his admirers had found out the resemblance
 The Snow Image |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.: I wonder if the rascal is alive--an elderly scoundrel he must be by
this time; and a hoary old hypocrite, to whom an old schoolfellow
presents his kindest regards--parenthetically remarking what a
dreadful place that private school was; cold, chilblains, bad
dinners, not enough victuals, and caning awful!--Are you alive
still, I say, you nameless villain, who escaped discovery on that
day of crime? I hope you have escaped often since, old sinner.
Ah, what a lucky thing it is, for you and me, my man, that we are
NOT found out in all our peccadilloes; and that our backs can slip
away from the master and the cane!
Just consider what life would be, if every rogue was found out, and
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Golden Threshold by Sarojini Naidu: Curved like a tusk from the mouth of the city-gates.
Hark, from the minaret, how the muezzin's call
Floats like a battle-flag over the city wall.
From trellised balconies, languid and luminous
Faces gleam, veiled in a splendour voluminous.
Leisurely elephants wind through the winding lanes,
Swinging their silver bells hung from their silver chains.
Round the high Char Minar sounds of gay cavalcades
Blend with the music of cymbals and serenades.
Over the city bridge Night comes majestical,
Borne like a queen to a sumptuous festival.
|