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Today's Stichomancy for Ashlee Simpson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from One Basket by Edna Ferber:

days after her arrival. That was due partly to her own bold curiosity and partly to the fact that she was boarding with the Widow Becker, the most notorious gossip in the county. In Bella's mental list of the neighborhood swains Ben Westerveld already occupied a position at the top of the column.

He felt his face redden as they approached each other. To hide his embarrassment he swung his little hickory switch gaily and called to his dog Dunder, who was nosing about by the roadside. Dunder bounded forward, spied the newcomer, and leaped toward her playfully and with natural canine curiosity.

Bella screamed. She screamed and ran to Ben and clung to him,


One Basket
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

a white dazzling band. English whalers have given it the name of "ice blink." However thick the clouds may be, it is always visible, and announces the presence of an ice pack or bank. Accordingly, larger blocks soon appeared, whose brilliancy changed with the caprices of the fog. Some of these masses showed green veins, as if long undulating lines had been traced with sulphate of copper; others resembled enormous amethysts with the light shining through them. Some reflected the light of day upon a thousand crystal facets. Others shaded with vivid calcareous reflections resembled a perfect town of marble. The more we neared the south the more these floating


20,000 Leagues Under the Sea
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Story of an African Farm by Olive Schreiner:

of the plain. Now he must be up and doing. He drew from his breast pocket a little sixpenny looking-glass, and hung it on one of the roots that stuck out from the bank. Then he dressed himself in one of the old-fashioned gowns and a great pinked-out collar. Then he took out a razor. Tuft by tuft the soft brown beard fell down into the sand, and the little ants took it to line their nests with. Then the glass showed a face surrounded by a frilled cap, white as a woman's, with a little mouth, a very short upper lip, and a receding chin.

Presently a rather tall woman's figure was making its way across the veld. As it passed a hollowed-out antheap it knelt down, and stuffed in the saddlebags with the man's clothing, closing up the anthill with bits of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jungle by Upton Sinclair:

to break up the fights--draws up a chair to the foot of the table. And the children shout and the babies yell, and every one laughs and sings and chatters--while above all the deafening clamor Cousin Marija shouts orders to the musicians.

The musicians--how shall one begin to describe them? All this time they have been there, playing in a mad frenzy--all of this scene must be read, or said, or sung, to music. It is the music which makes it what it is; it is the music which changes the place from the rear room of a saloon in back of the yards to a fairy place, a wonderland, a little comer of the high mansions of the sky.

The little person who leads this trio is an inspired man. His fiddle is