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Today's Stichomancy for Audrey Hepburn

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from King Lear by William Shakespeare:

Desire him to go in. Trouble him no more Till further settling. Cor. Will't please your Highness walk? Lear. You must bear with me. Pray you now, forget and forgive. I am old and foolish. Exeunt. Manent Kent and Gentleman. Gent. Holds it true, sir, that the Duke of Cornwall was so slain? Kent. Most certain, sir. Gent. Who is conductor of his people? Kent. As 'tis said, the bastard son of Gloucester.


King Lear
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Another Study of Woman by Honore de Balzac:

me.'

"She had at once found, you perceive, a loophole for escape. In scenes like these an adverb is dangerous. But, happily, curiosity made her add: 'And what did you see? Have I ever spoken of the Duke excepting in public? Have you detected in my eyes----?'--'No,' said I, 'but in his. And you have eight times made me go to Saint-Thomas d'Aquin to see you listening to the same mass as he.'--'Ah!' she exclaimed, 'then I have made you jealous!'--Oh! I only wish I could be!' said I, admiring the pliancy of her quick intelligence, and these acrobatic feats which can only be successful in the eyes of the blind. 'But by dint of going to church I have become very incredulous. On the day of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Massimilla Doni by Honore de Balzac:

Salute, lay glorious and still. The moon shone on the barques along the Riva de' Schiavoni. The waters of Venice, where there is no tide, looked as if they were alive, dancing with a myriad spangles. Never had a singer a more splendid stage.

Genovese, with an emphatic flourish, seemed to call Heaven and Earth to witness; and then, with no accompaniment but the lapping waves, he sang /Ombra adorata/, Crescentini's great air. The song, rising up between the statues of San Teodoro and San Giorgio, in the heart of sleeping Venice lighted by the moon, the words, in such strange harmony with the scene, and the melancholy passion of the singer, held the Italians and the Frenchman spellbound.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Faith of Men by Jack London:

The other man winced where he sat and dropped his head forward on the table. Pentfield resumed the monotonous drumming with his knuckles. A loud snap from the door attracted his attention. The frost was creeping up the inside in a white sheet, and he began to hum:-

"The flocks are folded, boughs are bare, The salmon takes the sea; And oh, my fair, would I somewhere Might house my heart with thee."

Silence fell and was not again broken till Billebedam arrived and threw the dice box on the table.