The first excerpt represents the past or something you must release, and is drawn from The Amazing Interlude by Mary Roberts Rinehart: going into, he would leave with Sara Lee no feeling, if he never
returned, that she had inflicted a lasting hurt. He was everywhere in
the little house, elbowing his way among the men with his cheery
nonsense, bantering the weary ones until they smiled, carrying hot water
for Sara Lee and helping her now and then with a bad dressing.
"If you would do it in this fashion, mademoiselle," he would say, "with
one turn of the bandage over the elbow -"
But it won't hold that way."
"You say that to me, mademoiselle? I who have taught you all you know
of bandaging?"
They would wrangle a bit, and end by doing it in Sara Lee's way.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Wuthering Heights by Emily Bronte: took to raise his mind from the savage ignorance into which it was
sunk: but, with your leave, I'll proceed in my own fashion, if you
think it will amuse and not weary you. Are you feeling better this
morning?'
'Much.'
'That's good news.'
I got Miss Catherine and myself to Thrushcross Grange; and, to my
agreeable disappointment, she behaved infinitely better than I
dared to expect. She seemed almost over-fond of Mr. Linton; and
even to his sister she showed plenty of affection. They were both
very attentive to her comfort, certainly. It was not the thorn
 Wuthering Heights |
The third excerpt represents the future or something you must embrace, and is drawn from Othello by William Shakespeare: Iago. At my Lodging
Rod. Ile be with thee betimes
Iago. Go too, farewell. Do you heare Rodorigo?
Rod. Ile sell all my Land.
Enter.
Iago. Thus do I euer make my Foole, my purse:
For I mine owne gain'd knowledge should prophane
If I would time expend with such Snipe,
But for my Sport, and Profit: I hate the Moore,
And it is thought abroad, that 'twixt my sheets
She ha's done my Office. I know not if't be true,
 Othello |