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Today's Stichomancy for Avril Lavigne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Master and Man by Leo Tolstoy:

Mukhorty's breeching straight.

He asked his wife: 'Nikolaevna, hasn't he come yet?' 'No, he hasn't,' she replied. He heard someone drive up to the front steps. 'It must be him.' 'No, he's gone past.' 'Nikolaevna! I say, Nikolaevna, isn't he here yet?' 'No.' He was still lying on his bed and could not get up, but was always waiting. And this waiting was uncanny and yet joyful. Then suddenly his joy was completed. He whom he was expecting came; not Ivan Matveich the police-officer, but someone else--yet it was he whom he had been waiting for. He came and called him; and it was he who had called him and told him to lie down on Nikita.


Master and Man
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sarrasine by Honore de Balzac:

from the music-room; as she led him, she watched with some anxiety the slow movement of his feeble feet. They walked painfully across the boudoir to a door hidden in the hangings. Marianina knocked softly. Instantly a tall, thin man, a sort of familiar spirit, appeared as if by magic. Before entrusting the old man to this mysterious guardian, the lovely child, with deep veneration, kissed the ambulatory corpse, and her chaste caress was not without a touch of that graceful playfulness, the secret of which only a few privileged women possess.

"/Addio, addio!/" she said, with the sweetest inflection of her young voice.

She added to the last syllable a wonderfully executed trill, in a very

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Voice of the City by O. Henry:

see, nothing to drink, nothing to do. In the dark we had no way of telling friend or foe except by feeling the noses of 'em. I brought along me last winter overcoat, me toothbrush, some quinine pills and the red quilt off the bed in me flat. Three times during the night somebody rolled on me quilt and stuck his knees against the Adam's apple of me. And three times I judged his character by running me hand over his face, and three times I rose up and kicked the in- truder down the hill to the gravelly walk below. And then some one with a flavor of Kelly's whiskey snug-


The Voice of the City
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

THE LADY. Gramercy for your sermon, sir. I hope I know my duty.

THE MAN. This is no sermon, but the living truth. The power I speak of is the power of immortal poesy. For know that vile as this world is, and worms as we are, you have but to invest all this vileness with a magical garment of words to transfigure us and uplift our souls til earth flowers into a million heavens.

THE LADY. You spoil your heaven with your million. You are extravagant. Observe some measure in your speech.

THE MAN. You speak now as Ben does.

THE LADY. And who, pray, is Ben?

THE MAN. A learned bricklayer who thinks that the sky is at the top