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Today's Stichomancy for Avril Lavigne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson:

breaking into the cook's berth, when he rang the alarm-bell, and all hands turned out to attend to their personal safety. The floor of the smith's, or mortar gallery, was now completely burst up by the force of the sea, when the whole of the deals and the remaining articles upon the floor were swept away, such as the cast-iron mortar-tubs, the iron hearth of the forge, the smith's bellows, and even his anvil were thrown down upon the rock. Before the tide rose to its full height to-day some of the artificers passed along the bridge into the lighthouse, to observe the effects of the sea upon it, and they reported that they had felt a slight tremulous motion in

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

for each subscription. There was one farmer who thought the paper was agricultural because of its name. I Globed HIM. Bah! he gave in at once; he had a projecting forehead; all men with projecting foreheads are ideologists.

"But the 'Children'; oh! ah! as to the 'Children'! I got two thousand between Paris and Blois. Jolly business! but there is not much to say. You just show a little vignette to the mother, pretending to hide it from the child: naturally the child wants to see, and pulls mamma's gown and cries for its newspaper, because 'Papa has DOT his.' Mamma can't let her brat tear the gown; the gown costs thirty francs, the subscription six--economy; result,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

He wondered that graves ever made people consider life in vain. Somehow he could find nothing hopeless in having lived. All the broken columns and clasped hands and doves and angels meant romances. He fancied that in a hundred years he would like having young people speculate as to whether his eyes were brown or blue, and he hoped quite passionately that his grave would have about it an air of many, many years ago. It seemed strange that out of a row of Union soldiers two or three made him think of dead loves and dead lovers, when they were exactly like the rest, even to the yellowish moss.

Long after midnight the towers and spires of Princeton were


This Side of Paradise
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

of a Polygon, and, with some training, that of a Circle himself. A second method is therefore more commonly resorted to.

FEELING is, among our Women and lower classes -- about our upper classes I shall speak presently -- the principal test of recognition, at all events between strangers, and when the question is, not as to the individual, but as to the class. What therefore "introduction" is among the higher classes in Spaceland, that the process of "feeling" is with us. "Permit me to ask you to feel and be felt by my friend Mr. So-and-so" -- is still, among the more old-fashioned of our country gentlemen in districts remote from towns, the customary formula for


Flatland: A Romance of Many Dimensions