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Today's Stichomancy for Ayn Rand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Crowd by Gustave le Bon:

it accessible to crowds, it only exerts influence when, by various processes which we shall examine elsewhere, it has entered the domain of the unconscious, when indeed it has become a sentiment, for which much time is required.

For it must not be supposed that merely because the justness of an idea has been proved it can be productive of effective action even on cultivated minds. This fact may be quickly appreciated by noting how slight is the influence of the clearest demonstration on the majority of men. Evidence, if it be very plain, may be accepted by an educated person, but the convert will be quickly brought back by his unconscious self to his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

overhead, brazen, out of a brazen sky; the pitch bubbled in the seams, and the brains in the brain-pan. And all the while the excitement of the three adventurers glowed about their bones like a fever. They whispered, and nodded, and pointed, and put mouth to ear, with a singular instinct of secrecy, approaching that island underhand like eavesdroppers and thieves; and even Davis from the cross-trees gave his orders mostly by gestures. The hands shared in this mute strain, like dogs, without comprehending it; and through the roar of so many miles of breakers, it was a silent ship that approached an empty island.

At last they drew near to the break in that interminable

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Island of Doctor Moreau by H. G. Wells:

Incontinently those at the opening of the hut vanished; my Ape-man rushed out; the thing that had sat in the dark followed him (I only observed that it was big and clumsy, and covered with silvery hair), and I was left alone. Then before I reached the aperture I heard the yelp of a staghound.

In another moment I was standing outside the hovel, my chair-rail in my hand, every muscle of me quivering. Before me were the clumsy backs of perhaps a score of these Beast People, their misshapen heads half hidden by their shoulder-blades. They were gesticulating excitedly. Other half-animal faces glared interrogation out of the hovels. Looking in the direction in which they faced, I saw coming through


The Island of Doctor Moreau
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Nada the Lily by H. Rider Haggard:

the assegai, yet dripping with blood, and in his hands the lion cub that, despite its whines and struggles, he grasped by the skin of the neck and the hind legs.

"Awake, my sister!" he cried; "here is the dog you seek. Ah! he bites now, but he will soon grow tame."

Nada awoke, and rising, cried out with joy at the sight of the cub, but for a moment I stood astonished.

"Fool!" I cried at last, "let the cub go before the lions come to rend us!"

"I will not let it go, my father," he answered sullenly. "Are there not five of us with spears, and can we not fight two cats? I was not


Nada the Lily