Today's Stichomancy for Ayn Rand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

under a general supposition that he was in the civil-engineering way of life, if he had not sat staring straight over my head whenever he listened. He was a goggle-eyed gentleman of a perplexed aspect, and his demeanor became unbearable.

It was a cold, dead morning (the sun not being up yet), and when I had out-watched the paling light of the fires of the iron country, and the curtain of heavy smoke that hung at once between me and the stars and between me and the day, I turned to my fellow-traveller and said:

"I BEG your pardon, sir, but do you observe anything particular in me?" For, really, he appeared to be taking down, either my

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Duchesse de Langeais by Honore de Balzac:

this power of speech, was glad to let him know all; but he was inflexible; his hand was passive in reply to the questionings of her hand.

At length, after some journey made together, Armand bade her go forward; the opening was doubtless narrow, for as she went she felt that his hand protected her dress. His care touched her; it was a revelation surely that there was a little love still left; yet it was in some sort a farewell, for Montriveau left her without a word. The air was warm; the Duchess, feeling the heat, opened her eyes, and found herself standing by the fire in the Comtesse de Serizy's boudoir.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato:

If Mr. Grote should do me the honour to read any portion of this work he will probably remark that I have endeavoured to approach Plato from a point of view which is opposed to his own. The aim of the Introductions in these volumes has been to represent Plato as the father of Idealism, who is not to be measured by the standard of utilitarianism or any other modern philosophical system. He is the poet or maker of ideas, satisfying the wants of his own age, providing the instruments of thought for future generations. He is no dreamer, but a great philosophical genius struggling with the unequal conditions of light and knowledge under which he is living. He may be illustrated by the writings of moderns, but he must be interpreted by his own, and by his place in the history of philosophy. We

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The American by Henry James:

She understood the situation; she knew what was in the air; she was watching us."

"A cat may look at a king! What difference does that make?"

"Why, a man can't back down before a woman."

"I don't call her a woman. You said yourself she was a stone," cried Newman.

"Well," Valentin rejoined, "there is no disputing about tastes. It's a matter of feeling; it's measured by one's sense of honor."

"Oh, confound your sense of honor!" cried Newman.

"It is vain talking," said Valentin; "words have passed, and the thing is settled."

Newman turned away, taking his hat. Then pausing with his hand on the door,