Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Ayn Rand

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tono Bungay by H. G. Wells:

"Well, it's about a carpenter and a poetic Victorian child, you know, and some shavin's. The child made no end out of the shavin's. So might you. Powder 'em. They might be anything. Soak 'em in jipper,--Xylo-tobacco! Powder'em and get a little tar and turpentinous smell in,--wood-packing for hot baths--a Certain Cure for the scourge of Influenza! There's all these patent grain foods,--what Americans call cereals. I believe I'm right, sir, in saying they're sawdust."

"No!" said my uncle, removing his cigar; "as far as I can find out it's really grain,--spoilt grain.... I've been going into that."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Merry Adventures of Robin Hood by Howard Pyle:

so think it no shame that your Denby man was cast by such a wrestler. He beareth you no ill will for what hath passed, but let it be a warning to you how ye treat strangers henceforth. Had ye slain him it would have been an ill day for you, for Robin Hood would have harried your town as the kestrel harries the dovecote. I have bought the pipe of wine from him, and now I give it freely to you to drink as ye list. But never hereafterward fall upon a man for being a stout yeoman."

At this all shouted amain; but in truth they thought more of the wine than of the Knight's words. Then Sir Richard, with David beside him and his men-at-arms around, turned about and left the fair.

But in after days, when the men that saw that wrestling bout were bent


The Merry Adventures of Robin Hood
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sesame and Lilies by John Ruskin:

that improvises all construction. But be that as it may--be the instinct less or more than that of inferior animals--like or unlike theirs, still the human art is dependent on that first, and then upon an amount of practice, of science,--and of imagination disciplined by thought, which the true possessor of it knows to be incommunicable, and the true critic of it, inexplicable, except through long process of laborious' years. That journey of life's conquest, in which hills over hills, and Alps on Alps arose, and sank,--do you think you can make another trace it painlessly, by talking? Why, you cannot even carry us up an Alp, by talking. You can guide us up it, step by step, no otherwise--even so, best

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Barlaam and Ioasaph by St. John of Damascus:

and at the trump of God, shall the dead arise and stand before his awful throne. Now the Resurrection is the re-uniting of soul and body. So that very body, which decayeth and perisheth, shall arise incorruptible. And concerning this, beware lest the reasoning of unbelief overtake thee; for it is not impossible for him, who at the beginning formed the body out of earth, when according to its Maker's doom it hath returned to earth whence it was taken, to raise the same again. If thou wilt but consider how many things God hath made out of nothing, this proof shall suffice thee. He took earth and made man, though earth was not man before. How then did earth become man? And how was earth,