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Today's Stichomancy for B. F. Skinner

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare:

And imitate thy aged father's steps, Which will conduct thee to true honor's gate; For if thou follow sacred virtue's lore, Thou shalt be crowned with a laurel branch, And wear a wreath of sempiternal fame, Sorted amongst the glorious happy ones.

LOCRINE. If Locrine do not follow your advise, And bear himself in all things like a prince That seeks to amplify the great renown Left unto him for an inheritage

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Middlemarch by George Eliot:

to think, I should have said, `the most superior young men.' But with your education you must know."

"What must Rosy know, mother?" said Mr. Fred, who had slid in unobserved through the half-open door while the ladies were bending over their work, and now going up to the fire stood with his back towards it, warming the soles of his slippers.

"Whether it's right to say `superior young men,'" said Mrs. Vincy, ringing the bell.

"Oh, there are so many superior teas and sugars now. Superior is getting to be shopkeepers' slang."

"Are you beginning to dislike slang, then?" said Rosamond,


Middlemarch
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from King Henry VI by William Shakespeare:

The greatest miracle that e'er ye wrought: Is all your strict preciseness come to this?

YORK. She and the Dauphin have been juggling: I did imagine what would be her refuge.

WARWICK. Well, go to; we'll have no bastards live; Especially since Charles must father it.

PUCELLE. You are deceived; my child is none of his: It was Alencon that enjoy'd my love.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

Presently one of the knights detached himself from the melee and rode to her side with some word of com- mand, at the same time grasping roughly at her bridle rein. The girl raised her riding whip and struck repeat- edly but futilely against the iron headgear of her assail- ant while he swung his horse up the road, and, drag- ging her palfrey after him, galloped rapidly out of sight.

Norman of Torn sprang to the door, and, reckless of his unarmored condition, leaped to Sir Mortimer's back and spurred swiftly in the direction taken by the girl


The Outlaw of Torn