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Today's Stichomancy for Barack Obama

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Songs of Innocence and Experience by William Blake:

Soft desires I can trace, Secret joys and secret smiles, Little pretty infant wiles.

As thy softest limbs I feel, Smiles as of the morning steal O'er thy cheek, and o'er thy breast Where thy little heart doth rest.

O the cunning wiles that creep In thy little heart asleep! When thy little heart doth wake, Then the dreadful light shall break.


Songs of Innocence and Experience
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Smalcald Articles by Dr. Martin Luther:

satisfaction could have been perfect, confidence would have been placed in it entirely, and neither faith nor Christ would have been of use. But this confidence was impossible. For although any one had done penance in that way for a hundred years, he would still not have known whether he had finished his penance. That meant forever to do penance and never to come to repentance.

Here now the Holy See at Rome, coming to the aid of the poor Church, invented indulgences, whereby it forgave and remitted [expiation or] satisfaction, first, for a single instance, for seven years, for a hundred years and distributed them among

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Reign of King Edward the Third by William Shakespeare:

Besides, it is no harm to do the thing Which without shame could not be left undone. Thus have I in his majesty's behalf Appareled sin in virtuous sentences, And dwell upon thy answer in his suit.

COUNTESS. Unnatural besiege! woe me unhappy, To have escaped the danger of my foes, And to be ten times worse injured by friends! Hath he no means to stain my honest blood, But to corrupt the author of my blood

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

over her shoulders, her face as white as her gown, her splendid eyes strangely wide open and shining. I don't know what I said or did; I tried to get her away, but it was too late. The others had heard us, and appeared at the open window. Jack came forward at once, speaking rapidly, fiercely; telling her to leave the house at once; promising desperately that he would see her in his own rooms on the morrow. Well I remember how her answer rang out,--

"'Neither to-morrow nor another day: I will never leave you again while I live.'

"At the same instant she drew something swiftly from under her cloak, there was the sound of a pistol shot and she lay dead at our