The first excerpt represents the past or something you must release, and is drawn from A Start in Life by Honore de Balzac: "And if you discovered that he was also betraying your confidence and
robbing you?"
"I should endeavor to detect him, and send him to the galleys."
"Monsieur Moreau, listen to me. You have undoubtedly spoken of my
infirmities to Madame Clapart; you have laughed at her house, and with
her, over my attachment to the Comtesse de Serizy; for her son, little
Husson, told a number of circumstances relating to my medical
treatment, to travellers by a public conveyance in my presence, and
Heaven knows in what language! He dared to calumniate my wife. Besides
this, I learned from the lips of Pere Leger himself, who was in the
coach, of the plan laid by the notary at Beaumont and by you and by
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Twenty Years After by Alexandre Dumas: Cromwell can intend them no harm, it would have a bad
appearance."
Mordaunt recoiled; he felt the blow and discharged a
terrible look at D'Artagnan, who responded by the most
amiable expression that ever graced a human countenance.
"When I tell you a thing, sir," said Mordaunt, "you insult
me by doubting it."
"I!" cried D'Artagnan, "I doubt what you say!" God keep me
from it, my dear Monsieur Mordaunt! On the contrary, I take
you to be a worthy and accomplished gentleman. And then,
sir, do you wish me to speak freely to you?" continued
 Twenty Years After |
The third excerpt represents the future or something you must embrace, and is drawn from The Breaking Point by Mary Roberts Rinehart: remembered that I was not certain that the boy had committed the
crime. I believed, and I still believe, that Lucas was shot by
Clifton Hines, probably through an open window. There were no
powder marks on the body. I believed, too, and still believe, that
Hines had fled after the crime, either to Hattie Thorwald's house
or to the mountains. In one case he had escaped and could not be
brought to justice, and in the other he was dead, and beyond
conviction.
"But there is another element which I urge, not in defense but in
explanation. The boy Judson Clark was a new slate to write on.
He had never had a chance. He had had too much money, too much
 The Breaking Point |