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Today's Stichomancy for Ben Affleck

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Call of the Wild by Jack London:

glance was for Buck, over whose limp and apparently lifeless body Nig was setting up a howl, while Skeet was licking the wet face and closed eyes. Thornton was himself bruised and battered, and he went carefully over Buck's body, when he had been brought around, finding three broken ribs.

"That settles it," he announced. "We camp right here." And camp they did, till Buck's ribs knitted and he was able to travel.

That winter, at Dawson, Buck performed another exploit, not so heroic, perhaps, but one that put his name many notches higher on the totem-pole of Alaskan fame. This exploit was particularly gratifying to the three men; for they stood in need of the outfit

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Another Study of Woman by Honore de Balzac:

Father Goriot The Thirteen Eugenie Grandet Cesar Birotteau Melmoth Reconciled Lost Illusions A Distinguished Provincial at Paris The Commission in Lunacy Scenes from a Courtesan's Life Modeste Mignon The Firm of Nucingen

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Soul of the Far East by Percival Lowell:

this, it explains incidentally its own seeming anomalies, the most unaccountable of which, apparently, is its existence.

We have seen how impressively impersonal the Far East is. Now if individuality be the natural measure of the height of civilization which a nation has reached, impersonality should betoken a relatively laggard position in the race. We ought, therefore, to find among these people certain other characteristics corroborative of a less advanced state of development. In the first place, if imagination be the impulse of which increase in individuality is the resulting motion, that quality should be at a minimum there. The Far Orientals ought to be a particularly unimaginative set of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from What is Man? by Mark Twain:

only one of him; the planet could not produce two of him at one birth, nor in one age. He could have written anything that is in the Plays and Poems. He could have written this:

The cloud-cap'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like an insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made of, and our little life Is rounded with a sleep.

Also, he could have written this, but he refrained:


What is Man?