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Today's Stichomancy for Ben Affleck

The first excerpt represents the past or something you must release, and is drawn from The Gentle Grafter by O. Henry:

"Behind one end of the bar sits Jefferson Peters, octopus, with a sixshooter on each side of him, ready to make change or corpses as the case may be. There are three bartenders; and on the wall is a ten foot sign reading: 'All Drinks One Dollar.' Andy sits on the safe in his neat blue suit and gold-banded cigar, on the lookout for emergencies. The town marshal is there with two deputies to keep order, having been promised free drinks by the trust.

"Well, sir, it took Bird City just ten minutes to realize that it was in a cage. We expected trouble; but there wasn't any. The citizens saw that we had 'em. The nearest railroad was thirty miles away; and it would be two weeks at least before the river would be fordable. So

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Children of the Night by Edwin Arlington Robinson:

Yes, there is yet one way to where she is, -- Bitter, but one that faith can never miss. Out of a grave I come to tell you this -- To tell you this.

There is the western gate, Luke Havergal, There are the crimson leaves upon the wall. Go, -- for the winds are tearing them away, -- Nor think to riddle the dead words they say, Nor any more to feel them as they fall; But go! and if you trust her she will call. There is the western gate, Luke Havergal --

The third excerpt represents the future or something you must embrace, and is drawn from Myths and Myth-Makers by John Fiske:

likely that no such person as William Tell ever existed, and it is certain that the story of his shooting the apple from his son's head has no historical value whatever. In spite of the wrath of unlearned but patriotic Swiss, especially of those of the cicerone class, this conclusion is forced upon us as soon as we begin to study the legend in accordance with the canons of modern historical criticism. It is useless to point to Tell's lime-tree, standing to-day in the centre of the market-place at Altdorf, or to quote for our confusion his crossbow preserved in the arsenal at Zurich, as unimpeachable witnesses to the truth of the story. It is in vain that we are


Myths and Myth-Makers