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Today's Stichomancy for Benito Juarez

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from My Bondage and My Freedom by Frederick Douglass:

parting, forever. No one could tell among which pile of chattels I should be flung. Thus early, I got a foretaste of that painful uncertainty which slavery brings to the ordinary lot of mortals. Sickness, adversity and death may interfere with the plans and purposes of all; but the slave has the added danger of changing homes, changing hands, and of having separations unknown to other men. Then, too, there was the intensified degradation of the spectacle. What an assemblage! Men and women, young and old, married and single; moral and intellectual beings, in open contempt of their humanity, level at a blow with <137 DIVISION OF OLD MASTER'S PROPERTY>horses, sheep, horned cattle and swine!


My Bondage and My Freedom
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Unconscious Comedians by Honore de Balzac:

since my childhood; I've lived, by means of my pencil, on its follies and absurdities, at the rate of five caricatures a month. Consequently, I often laugh at ideas in which I have faith."

"Come, let us get to something else," said Leon. "We'll go to the Chamber and settle the cousin's affair."

"This," said Bixiou, imitating Odry in "Les Funambules," "is high comedy, for we will make the first orator we meet pose for us, and you shall see that in those halls of legislation, as elsewhere, the Parisian language has but two tones,--Self-interest, Vanity."

As they got into their citadine, Leon saw in a rapidly driven cabriolet a man to whom he made a sign that he had something to say to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Marriage Contract by Honore de Balzac:

on the other hand, began to value himself more highly when he felt himself appreciated by the mother and daughter. He thought himself much cleverer than he really was when he found his reflections and sayings accepted and understood by Mademoiselle Natalie--who raised her head and smiled in response to them--and by the mother, whose flattery always seemed involuntary. The two women were so kind and friendly to him, he was so sure of pleasing them, they ruled him so delightfully by holding the thread of his self-love, that he soon passed all his time at the hotel Evangelista.

A year after his return to Bordeaux, Comte Paul, without having declared himself, was so attentive to Natalie that the world

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moll Flanders by Daniel Defoe:

to lay hands on me. I spit in his face, called out to the constable, and bade him to take notice of my usage. 'And pray, Mr. Constable,' said I, 'ask that villain's name,' pointing to the man. The constable reproved him decently, told him that he did not know what he did, for he knew that his master acknowledged I was not the person that was in his shop; 'and,' says the constable, 'I am afraid your master is bringing himself, and me too, into trouble, if this gentlewoman comes to prove who she is, and where she was, and it appears that she is not the woman you pretend to.' 'Damn her,' says the fellow again, with a impudent, hardened face, 'she is the lady, you may depend


Moll Flanders