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Today's Stichomancy for Benito Juarez

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

bird or the unstable, delusive Loki; but for all that the musical characterization must be regarded as independent of the specific themes, since the entire elimination of the thematic system from the score would leave the characters as well distinguished musically as they are at present.

One more illustration of the way in which the thematic system is worked. There are two themes connected with Loki. One is a rapid, sinuous, twisting, shifty semiquaver figure suggested by the unsubstantial, elusive logic-spinning of the clever one's braincraft. The other is the fire theme. In the first act of Siegfried, Mimmy makes his unavailing attempt to explain fear to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Smalcald Articles by Dr. Martin Luther:

wretches] imagine: Why, we have repented! The latter [the rest] say: We need no repentance. John says: Repent ye, both of you, for ye are false penitents; so are these [the rest] false saints [or hypocrites], and all of you on either side need the forgiveness of sins, because neither of you know what true sin is not to say anything about your duty to repent of it and shun it. For no one of you is good; you are full of unbelief, stupidity, and ignorance of God and God's will. For here He is present of whose fulness have all we received, and grace for grace, John 1, 16, and without Him no man can be just before God. Therefore, if you wish to repent, repent

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Modeste Mignon by Honore de Balzac:

were hollowed beneath their heavy lids like the touch-holes of a cannon, whose head overweighted his body, with its shock of crisp hair, and whose face was pock-marked, had lived under pitying eyes from the time he was seven years of age. Is not that enough to explain his whole being? Silent, self-contained, pious, exemplary in conduct, he went his way over that vast tract of country named on the map of the heart Love-without-Hope, the sublime and arid steppes of Desire. Modeste had christened this grotesque little being her "Black Dwarf." The nickname sent him to the pages of Walter Scott's novel, and he one day said to Modeste: "Will you accept a rose against the evil day from your mysterious dwarf?" Modeste instantly sent the soul of her adorer


Modeste Mignon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sons and Lovers by D. H. Lawrence:

"Half a minute," he cried. "Hold your arm still."

He made sketches of her hand and arm, and the drawings contained some of the fascination the real thing had for him. Miriam, who always went scrupulously through his books and papers, saw the drawings.

"I think Clara has such beautiful arms," he said.

"Yes! When did you draw them?"

"On Tuesday, in the work-room. You know, I've got a corner where I can work. Often I can do every single thing they need in the department, before dinner. Then I work for myself in the afternoon, and just see to things at night."


Sons and Lovers