| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw: no one else will. It would be exasperating, if it were not so
funny, to see these poets leading their heroes through blood and
destruction to the conclusion that, as Browning's David puts it
(David of all people!), "All's Love; yet all's Law."
Certainly it is clear enough that such love as that implied by
Siegfried's first taste of fear as he cuts through the mailed
coat of the sleeping figure on the mountain, and discovers that
it is a woman; by her fierce revolt against being touched by him
when his terror gives way to ardor; by his manly transports of
victory; and by the womanly mixture of rapture and horror with
which she abandons herself to the passion which has seized on
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Frances Waldeaux by Rebecca Davis: with such tenderness?
Oh! It was the girl that George should have married!
She glanced at the white room with its dainty bibelots,
the Bible, the Madonnas, watching, benign. Poor little
nun, waiting for the love that never could come to her!
"I am glad you are here, my child. You can tell me what
I want to know. I have not an hour to spare. I am going
to my son--to George. Do you know where he is?"
"At Vannes, in Brittany."
"Brittany--that is a long way." Frances rose
uncertainly. "I hoped he was near. I was in a Russian
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