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Today's Stichomancy for Benito Juarez

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Lover's Complaint by William Shakespeare:

'So many have, that never touch'd his hand, Sweetly suppos'd them mistress of his heart. My woeful self, that did in freedom stand, And was my own fee-simple, (not in part,) What with his heart in youth, and youth in art, Threw my affections in his charmed power, Reserv'd the stalk, and gave him all my flower.

'Yet did I not, as some my equals did, Demand of him, nor being desired yielded; Finding myself in honour so forbid, With safest distance I mine honour shielded:

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The United States Constitution:

in Payment of Debts; pass any Bill of Attainder, ex post facto Law, or Law impairing the Obligation of Contracts, or grant any Title of Nobility.

No State shall, without the Consent of the Congress, lay any Imposts or Duties on Imports or Exports, except what may be absolutely necessary for executing it's inspection Laws: and the net Produce of all Duties and Imposts, laid by any State on Imports or Exports, shall be for the Use of the Treasury of the United States; and all such Laws shall be subject to the Revision and Controul of the Congress.

No State shall, without the Consent of Congress, lay any Duty of Tonnage, keep Troops, or Ships of War in time of Peace, enter into any Agreement or Compact with another State, or with a foreign Power, or


The United States Constitution
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from When the World Shook by H. Rider Haggard:

did not know the origin. My own opinion, which Bickley shared, was that they were in fact a shrunken and deteriorated remnant of some high race now coming to its end through age and inter-breeding. About them indeed, notwithstanding their primitive savagery which in its qualities much resembled that of other Polynesians, there was a very curious air of antiquity. One felt that they had known the older world and its mysteries, though now both were forgotten. Also their language, which in time we came to speak perfectly, was copious, musical, and expressive in its idioms.

One circumstance I must mention. In walking about the country I


When the World Shook
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chouans by Honore de Balzac:

"I thought," he said, following her, "that the open air did not agree with you?"

"Oh! it has changed," she replied in a grave tone, continuing to walk on, a prey to agitating thoughts.

"You do not answer me," said the young man, his heart full of the soft expectation of coming pleasure.

"Oh!" she said, in a strained voice, "the tragedy begins."

"What tragedy?" he asked.

She stopped short, looked at the young student from head to foot with a mingled expression of fear and curiosity; then she concealed her feelings that were agitating her under the mask of an impenetrable


The Chouans