| The first excerpt represents the past or something you must release, and is drawn from Phaedo by Plato: them, said: In heaven's name, is not this the direct contrary of what was
admitted before--that out of the greater came the less and out of the less
the greater, and that opposites were simply generated from opposites; but
now this principle seems to be utterly denied.
Socrates inclined his head to the speaker and listened. I like your
courage, he said, in reminding us of this. But you do not observe that
there is a difference in the two cases. For then we were speaking of
opposites in the concrete, and now of the essential opposite which, as is
affirmed, neither in us nor in nature can ever be at variance with itself:
then, my friend, we were speaking of things in which opposites are inherent
and which are called after them, but now about the opposites which are
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Life on the Mississippi by Mark Twain: this fashion: This sun means that we are going to have wind to-morrow;
that floating log means that the river is rising, small thanks to it;
that slanting mark on the water refers to a bluff reef which is going
to kill somebody's steamboat one of these nights, if it keeps on stretching
out like that; those tumbling 'boils' show a dissolving bar and a changing
channel there; the lines and circles in the slick water over yonder
are a warning that that troublesome place is shoaling up dangerously;
that silver streak in the shadow of the forest is the 'break' from a new snag,
and he has located himself in the very best place he could have found
to fish for steamboats; that tall dead tree, with a single living branch,
is not going to last long, and then how is a body ever going to get through
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The third excerpt represents the future or something you must embrace, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot: to us, except Straight Lines; and the necessity of this
I will speedily demonstrate.
Place a penny on the middle of one of your tables in Space;
and leaning over it, look down upon it. It will appear a circle.
But now, drawing back to the edge of the table, gradually lower
your eye (thus bringing yourself more and more into the condition of
the inhabitants of Flatland), and you will find the penny becoming
more and more oval to your view, and at last when you have placed
your eye exactly on the edge of the table (so that you are,
as it were, actually a Flatlander) the penny will then have ceased
to appear oval at all, and will have become, so far as you can see,
Flatland: A Romance of Many Dimensions |
