Today's Stichomancy for Bill O'Reilly

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon:

him who openly neglected to make himself as good as possible? For this, it seems, was his principle: in the one case, where a man is robbed, or defrauded, or kidnapped, and made a slave of, the injury of the misdeed, whatever it be, is personal to the individual so maltreated; but in the other case whole communities suffer foul treason at the hands of the base man and the coward. So that it was only reasonable, in my opinion, that he should visit the heaviest penalty upon these latter.

Moreover, he laid upon them, like some irresistible necessity, the obligation to cultivate the whole virtue of a citizen. Provided they duly performed the injunctions of the law, the city belonged to them,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Gift of the Magi by O. Henry:

End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.

The Gift of the Magi

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

time with Kadour ben Saden and his daughter. He was keenly interested in this race of stern and dignified warriors, and embraced the opportunity which their friendship offered to learn what he could of their lives and customs. He even commenced to acquire the rudiments of their language under the pleasant tutorage of the brown-eyed girl. It was with real regret that he saw them depart, and he sat his horse at the opening to the pass, as far as which he had accompanied them, gazing after the little party as long as he could catch a glimpse of them.

Here were people after his own heart! Their wild, rough

The Return of Tarzan

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle:

made a slight motion to me to approach him, and instantly, as he turned his face half round to the company once more, subsided into a doddering, loose-lipped senility.

"Holmes!" I whispered, "what on earth are you doing in this den?"

"As low as you can," he answered; "I have excellent ears. If you would have the great kindness to get rid of that sottish friend of yours I should be exceedingly glad to have a little talk with you."

"I have a cab outside."

"Then pray send him home in it. You may safely trust him, for he appears to be too limp to get into any mischief. I should

The Adventures of Sherlock Holmes