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Today's Stichomancy for Billy Joel

The first excerpt represents the past or something you must release, and is drawn from A Simple Soul by Gustave Flaubert:

Madame Lehoussais, who, instead of taking a young man--" Felicite could not catch what followed; the horses began to trot, the donkey to gallop, and they turned into a lane; then a gate swung open, two farm- hands appeared and they all dismounted at the very threshold of the farm-house.

Mother Liebard, when she caught sight of her mistress, was lavish with joyful demonstrations. She got up a lunch which comprised a leg of mutton, tripe, sausages, a chicken fricassee, sweet cider, a fruit tart and some preserved prunes; then to all this the good woman added polite remarks about Madame, who appeared to be in better health, Mademoiselle, who had grown to be "superb," and Paul, who had become


A Simple Soul
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Bucky O'Connor by William MacLeod Raine:

"I understand he has decided to deport me," retorted Megales lightly. "It is perhaps better politics, on the whole, better even than a knife in the back."

"Unless rumor is a lying jade, you should be a good judge of that, governor," said the American, eyeing him sternly.

Megales shrugged. "One of the penalties of fame is that one gets credit for much he does not deserve. There was your immortal General Lincoln, a wit so famous in your country that every good story is fathered upon him, I understand. So with your humble servant. Let a man accomplish his vendetta upon the body of an enemy, and behold! the world cries: 'A victim of Megales.'"

The third excerpt represents the future or something you must embrace, and is drawn from The Land of Footprints by Stewart Edward White:

as fast as they had gained undisputed possession, they marked the loads with some private sign of their own. M'ganga, the headman, tall, fierce, big-framed and bony, clad in fez, a long black overcoat, blue puttees and boots, stood stiff as a ramrod, extended a rigid right arm and rattled off orders in a high dynamic voice. In his left hand he clasped a bulgy umbrella, the badge of his dignity and the symbol of his authority. The four askaris, big men too, with masterful high-cheekboned countenances, rushed here and there seeing that the orders were carried out. Expostulations, laughter, the sound of quarrelling rose and fell. Never could the combined volume of it all override