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Today's Stichomancy for Bob Dylan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Garden Party by Katherine Mansfield:

Oh, how marvellous to have a brother! In her excitement Leila felt that if there had been time, if it hadn't been impossible, she couldn't have helped crying because she was an only child, and no brother had ever said "Twig?" to her; no sister would ever say, as Meg said to Jose that moment, "I've never known your hair go up more successfully than it has to-night!"

But, of course, there was no time. They were at the drill hall already; there were cabs in front of them and cabs behind. The road was bright on either side with moving fan-like lights, and on the pavement gay couples seemed to float through the air; little satin shoes chased each other like birds.

"Hold on to me, Leila; you'll get lost," said Laura.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herland by Charlotte Gilman:

Little by little they wrung from us the fact that the friend of man, in the city, was a prisoner; was taken out for his meager exercise on a leash; was liable not only to many diseases but to the one destroying horror of rabies; and, in many cases, for the safety of the citizens, had to go muzzled. Jeff maliciously added vivid instances he had known or read of injury and death from mad dogs.

They did not scold or fuss about it. Calm as judges, those women were. But they made notes; Moadine read them to us.

"Please tell me if I have the facts correct," she said. "In your country--and in others too?"

"Yes," we admitted, "in most civilized countries."


Herland
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Figure in the Carpet by Henry James:

the great man's side, the result of his affability was a still livelier desire that he shouldn't remain in ignorance of the peculiar justice I had done him. It wasn't that he seemed to thirst for justice; on the contrary I hadn't yet caught in his talk the faintest grunt of a grudge - a note for which my young experience had already given me an ear. Of late he had had more recognition, and it was pleasant, as we used to say in THE MIDDLE, to see how it drew him out. He wasn't of course popular, but I judged one of the sources of his good humour to be precisely that his success was independent of that. He had none the less become in a manner the fashion; the critics at least had put on a spurt

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Recruit by Honore de Balzac:

the echoes of the silent streets, but he met no one until he came to the shop of a weaver, who was still at work. From him he inquired his way to the mayor's house, and the way-worn recruit soon found himself seated in the porch of that establishment, waiting for the billet he had asked for. Instead of receiving it at once, he was summoned to the mayor's presence, where he found himself the object of minute observation. The young man was good-looking, and belonged, evidently, to a distinguished family. His air and manner were those of the nobility. The intelligence of a good education was in his face.

"What is your name?" asked the mayor, giving him a shrewd and meaning look.