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Today's Stichomancy for Bob Dylan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Protagoras by Plato:

virtue can be taught. Protagoras declines this offer, but commends Socrates' earnestness and his style of discussion.

The Protagoras is often supposed to be full of difficulties. These are partly imaginary and partly real. The imaginary ones are (1) Chronological,--which were pointed out in ancient times by Athenaeus, and are noticed by Schleiermacher and others, and relate to the impossibility of all the persons in the Dialogue meeting at any one time, whether in the year 425 B.C., or in any other. But Plato, like all writers of fiction, aims only at the probable, and shows in many Dialogues (e.g. the Symposium and Republic, and already in the Laches) an extreme disregard of the historical accuracy which is sometimes demanded of him. (2) The exact

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Soul of the Far East by Percival Lowell:

up in the courtyard of every house where a son has been born during the year. On this auspicious day Tokio is suddenly transformed into eighty square miles of aquarium.

For any more personal purpose New Year's day eclipses all particular anniversaries. Then everybody congratulates everybody else upon everything in general, and incidentally upon being alive. Such substitution of an abstract for a concrete birthday, although exceedingly convenient for others, must at least conduce to self-forgetfulness on the part of its proper possessor, and tend inevitably to merge the identity of the individual in that of the community.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jungle Tales of Tarzan by Edgar Rice Burroughs:

the huge and shaggy bull ape. No words passed between them. They moved as silently as two shadows among the myriad shadows of the forest. Alert as his eyes and ears, was Tarzan's patrician nose. The spoor was fresh, and now that they had passed from the range of the strong ape odor of the tribe he had little difficulty in following Toog and Teeka by scent alone. Teeka's familiar scent spoor told both Tarzan and Taug that they were upon her trail, and soon the scent of Toog became as familiar as the other.

They were progressing rapidly when suddenly dense clouds overcast the sun. Tarzan accelerated his pace.


The Jungle Tales of Tarzan
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from End of the Tether by Joseph Conrad:

At last he sprang up and walked down the gravel path. It was a fact that the very gravel for his paths had been imported by the Sofala. Exasperated out of his quiet superciliousness, without looking at anyone right or left, he accosted Massy straightway in so determined a manner that the engineer, taken aback, began to stammer unintelligibly. Nothing could be heard but the words: "Mr. Van Wyk . . . Indeed, Mr. Van Wyk . . . For the future, Mr. Van Wyk"--and by the suffusion of blood Massy's vast bilious face acquired an unnatural orange tint, out of which the disconcerted


End of the Tether