| The first excerpt represents the past or something you must release, and is drawn from The Profits of Religion by Upton Sinclair: disgusting."
As to the location of the schools, a report of the Minister of
Education to the Cortes, the Parliament of Spain, sets forth as
follows:
More than 10,000 schools are on hired premises, and many of these
are absolutely destitute of hygienic conditions. There are
schools mixed up with hospitals, with cemeteries, with slaughter
houses, with stables. One school forms the entrance to a
cemetery, and the corpses are placed on the master's table while
the last responses are being said. There is a school into which
the children cannot enter until the animals have been sent out to
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Red Inn by Honore de Balzac: of snuff and was now beginning his tale. It would be difficult to
reproduce it in his own language, with his frequent interruptions and
wordy digressions. Therefore, I now write it down in my own way;
leaving out the faults of the Nuremburger, and taking only what his
tale may have had of interest and poesy with the coolness of writers
who forget to put on the title pages of their books: "Translated from
the German."
THOUGHT AND ACT
Toward the end of Venemiaire, year VII., a republican period which in
the present day corresponds to October 20, 1799, two young men,
leaving Bonn in the early morning, had reached by nightfall the
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The third excerpt represents the future or something you must embrace, and is drawn from Anabasis by Xenophon: Regius Professor of Greek in the University of Oxford
Xenophon the Athenian was born 431 B.C. He was a
pupil of Socrates. He marched with the Spartans,
and was exiled from Athens. Sparta gave him land
and property in Scillus, where he lived for many
years before having to move once more, to settle
in Corinth. He died in 354 B.C.
The Anabasis is his story of the march to Persia
to aid Cyrus, who enlisted Greek help to try and
take the throne from Artaxerxes, and the ensuing
return of the Greeks, in which Xenophon played a
Anabasis |
