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Today's Stichomancy for Bob Fosse

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:

IV Summer Sun V The Dumb Soldier VI Autumn Fires VII The Gardener VIII Historical Associations

Envoys

I To Willie and Henrietta II To My Mother III To Auntie IV To Minnie V To My Name-Child


A Child's Garden of Verses
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dorothy and the Wizard in Oz by L. Frank Baum:

or keep it from jamming against the rocky walls.

At last, however, a dim light appeared ahead of them, which grew clearer and stronger as they advanced.

"Thank goodness we're nearly there!" panted the little Wizard.

Jim, who was in advance, saw the last stair before him and stuck his head above the rocky sides of the stairway. Then he halted, ducked down and began to back up, so that he nearly fell with the buggy onto the others.

"Let's go down again!" he said, in his hoarse voice.

"Nonsense!" snapped the tired Wizard. "What's the matter with you, old man?"


Dorothy and the Wizard in Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Agesilaus by Xenophon:

ravaged the country of those who had done his friends to death, he was content, and returned home.

[26] Or intimates.

[27] B.C. 370. See "Hell."VI. v. 21.

After this Lacedaemon was invaded by the united Arcadians, Argives, Eleians, and Boeotians, who were assisted by the Phocians, both sections of the Locrians, the Thessalians, Aenianians, Acarnanians, and Euboeans; moreover, the slaves had revolted and several of the provincial cities;[28] while of the Spartans themselves as many had fallen on the field of Leuctra as survived. But in spite of all, he safely guarded the city, and that too a city without walls and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moll Flanders by Daniel Defoe:

'A fine story!' says the governess. 'You would see the child, and you would not see the child; you would be concealed and discovered both together. These are things impossible, my dear; so you must e'en do as other conscientious mothers have done before you, and be contented with things as they must be, though they are not as you wish them to be.'

I understood what she meant by conscientious mothers; she would have said conscientious whores, but she was not willing to disoblige me, for really in this case I was not a whore, because legally married, the force of former marriage excepted.

However, let me be what I would, I was not come up to that


Moll Flanders