| The first excerpt represents the past or something you must release, and is drawn from Gambara by Honore de Balzac: Andrea's prepossession for Marianna was crossed by the captivating
charm which Gambara could not fail to exert over every genuine artist.
The composer was now forty; but although his high brow was bald and
lined with a few parallel, but not deep, wrinkles; in spite, too, of
hollow temples where the blue veins showed through the smooth,
transparent skin, and of the deep sockets in which his black eyes were
sunk, with their large lids and light lashes, the lower part of his
face made him still look young, so calm was its outline, so soft the
modeling. It could be seen at a glance that in this man passion had
been curbed to the advantage of the intellect; that the brain alone
had grown old in some great struggle.
 Gambara |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Patchwork Girl of Oz by L. Frank Baum: the center of the forehead. The horns did not seem
very terrible, for they were not more than six
inches long; but they were ivory white and sharp
pointed, and no wonder the Hoppers feared them.
The skins of the Horners were light brown, but
they wore snow-white robes and were bare footed.
Dorothy thought the most striking thing about them
was their hair, which grew in three distinct
colors on each and every head--red, yellow and
green. The red was at the bottom and sometimes
hung over their eyes; then came a broad circle of
 The Patchwork Girl of Oz |
The third excerpt represents the future or something you must embrace, and is drawn from The Children of the Night by Edwin Arlington Robinson: But no -- I am all right now! No! -- listen!
I am here to be hanged; to be hanged to-morrow
At six o'clock, when the sun is rising.
And why am I here? Not a soul can tell you
But this poor shivering thing before you,
This fluttering wreck of the man God made him,
For God knows what wild reason. Hear me,
And learn from my lips the truth of my story.
There's nothing strange in what I shall tell you,
Nothing mysterious, nothing unearthly, --
But damnably human, -- and you shall hear it.
|