| The first excerpt represents the past or something you must release, and is drawn from Adieu by Honore de Balzac: a past scene spread before her, and, turning quickly to Philippe, she
SAW HIM. An awful silence reigned in the crowd. The colonel gasped,
but dared not speak; the doctor wept. Stephanie's sweet face colored
faintly; then, from tint to tint, it returned to the brightness of
youth, till it glowed with a beautiful crimson. Life and happiness,
lighted by intelligence, came nearer and nearer like a conflagration.
Convulsive trembling rose from her feet to her heart. Then these
phenomena seemed to blend in one as Stephanie's eyes cast forth a
celestial ray, the flame of a living soul. She lived, she thought! She
shuddered, with fear perhaps, for God himself unloosed that silent
tongue, and cast anew His fires into that long-extinguished soul.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Princess by Alfred Tennyson: And often she believed that I should die:
Till out of long frustration of her care,
And pensive tendance in the all-weary noons,
And watches in the dead, the dark, when clocks
Throbbed thunder through the palace floors, or called
On flying Time from all their silver tongues--
And out of memories of her kindlier days,
And sidelong glances at my father's grief,
And at the happy lovers heart in heart--
And out of hauntings of my spoken love,
And lonely listenings to my muttered dream,
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The third excerpt represents the future or something you must embrace, and is drawn from Some Reminiscences by Joseph Conrad: lips.
He commenced operations with an easy-going "Let's see. H'm.
Suppose you tell me all you know of charter-parties." He kept it
up in that style all through, wandering off in the shape of
comment into bits out of his own life, then pulling himself up
short and returning to the business in hand. It was very
interesting. "What's your idea of a jury-rudder now?" he queried
suddenly, at the end of an instructive anecdote bearing upon a
point of stowage.
I warned him that I had no experience of a lost rudder at sea,
and gave him two classical examples of makeshifts out of a text-
Some Reminiscences |
