| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sylvie and Bruno by Lewis Carroll: and now she was moving from group to group, introducing the new
hero of the hour: and he, young, tall, and handsome, moved gracefully
at her side, with the erect bearing and firm tread of a soldier.
Verily, the Theory looked gloomy for Arthur! His eye caught mine,
and he crossed to me.
"He is very handsome," I said.
"Abominably handsome!" muttered Arthur: then smiled at his own bitter
words. "Lucky no one heard me but you!"
"Doctor Forester," said Lady Muriel, who had just joined us, "let me
introduce to you my cousin Eric Lindon Captain Lindon, I should say."
Arthur shook off his ill-temper instantly and completely, as he rose
 Sylvie and Bruno |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Laches by Plato: person who asks them, and answer according to his, and not according to
their own, opinion. But as we know that you are good judges, and will say
exactly what you think, we have taken you into our counsels. The matter
about which I am making all this preface is as follows: Melesias and I
have two sons; that is his son, and he is named Thucydides, after his
grandfather; and this is mine, who is also called after his grandfather,
Aristides. Now, we are resolved to take the greatest care of the youths,
and not to let them run about as they like, which is too often the way with
the young, when they are no longer children, but to begin at once and do
the utmost that we can for them. And knowing you to have sons of your own,
we thought that you were most likely to have attended to their training and
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Taming of the Shrew by William Shakespeare: And wherefore gaze this goodly company,
As if they saw some wondrous monument,
Some comet or unusual prodigy?
BAPTISTA.
Why, sir, you know this is your wedding-day:
First were we sad, fearing you would not come;
Now sadder, that you come so unprovided.
Fie! doff this habit, shame to your estate,
An eye-sore to our solemn festival.
TRANIO.
And tell us what occasion of import
 The Taming of the Shrew |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot: Upon sighting the enemy there is the manoeuvring for position
advantage which must accrue to the speedier protagonist. One
then, witnesses what might almost be described as an application
of the process of capping the line or "crossing the 'T.'" This
tends to throw the slower squadron into confusion by bending it
back upon itself, meanwhile exposing it to a demoralizing fire.
The analogy is not precisely correct but sufficiently so to
indicate that aerial battles will be fought much upon the same
lines, as engagements between vessels upon the water. If the
manoeuvres accomplish nothing beyond breaking up and scattering
the foe, the result is satisfactory in as much as in this event
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