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Today's Stichomancy for Bruce Lee

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Crowd by Gustave le Bon:

all the regulation spiritualistic phenomena, the materialisation of spirits, writing on slates, &c. Having subsequently obtained from these distinguished observers written reports admitting that the phenomena observed could only have been obtained by supernatural means, he revealed to them that they were the result of very simple tricks. "The most astonishing feature of Monsieur Davey's investigation," writes the author of this account, "is not the marvellousness of the tricks themselves, but the extreme weakness of the reports made with respect to them by the noninitiated witnesses. It is clear, then," he says, "that witnesses even in number may give circumstantial relations which

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Heart of the West by O. Henry:

But even the poorest singer will, after a certain time, gain his own consent to refrain from contributing to the world's noises. So the Kid, by the time he was within a mile or two of Tonia's /jacal/, had reluctantly allowed his song to die away--not because his vocal performance had become less charming to his own ears, but because his laryngeal muscles were aweary.

As though he were in a circus ring the speckled roan wheeled and danced through the labyrinth of pear until at length his rider knew by certain landmarks that the Lone Wolf Crossing was close at hand. Then, where the pear was thinner, he caught sight of the grass roof of the /jacal/ and the hackberry tree on the edge of the arroyo. A few yards


Heart of the West
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shadow out of Time by H. P. Lovecraft:

that debris-cluttered corridor. Now and then I could make out carvings on the ages-tained walls - some familiar, others seemingly added since the period of my dreams. Since this was a subterrene house - connecting highway, there were no archways save when the route led through the lower levels of various buildings. At some of these intersections I turned aside long enough to look down well-remembered corridors and into well-remembered rooms. Twice only did I find any radical changes from what I had dreamed of - and in one of these cases I could trace the sealed-up outlines of the archway I remembered.


Shadow out of Time
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from St. Ives by Robert Louis Stevenson:

church, an exchange of flowers and vows over the garden wall, a silly schoolmate for a confidante, a chaise and four, and the most immediate and perfect disenchantment on the part of the little lady. 'And there is nothing to be done!' she wailed in conclusion. 'My error is irretrievable, I am quite forced to that conclusion. O, Monsieur de Saint-Yves! who would have thought that I could have been such a blind, wicked donkey!'

I should have said before - only that I really do not know when it came in - that we had been overtaken by the two post-boys, Rowley and Mr. Bellamy, which was the hawbuck's name, bestriding the four post-horses; and that these formed a sort of cavalry escort, riding