| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Domestic Peace by Honore de Balzac: willingly, because at this moment a new quadrille was putting
everybody in motion.
With an air of making room for the dancing, the Baron leaned back
against the marble slab of a console, folded his arms, and stood
absorbed in watching the two ladies talking. From time to time he
followed the glances which both frequently directed to the stranger.
Then, comparing the Countess with the new beauty, made so attractive
by a touch of mystery, the Baron fell a prey to the detestable self-
interest common to adventurous lady-killers; he hesitated between a
fortune within his grasp and the indulgence of his caprice. The blaze
of light gave such strong relief to his anxious and sullen face,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Blue Flower by Henry van Dyke: conceived. It is the name of Him who has given us life and
breath and all things richly to enjoy; the name of Him who,
though we may forget Him, never forgets us; the name of Him
who pities us as you pity your suffering child; the name of
Him who, though we wander far from Him, seeks us in the
wilderness, and sent His Son, even as His Son has sent me this
night, to breathe again that forgotten name in the heart that
is perishing without it. Listen, my son, listen with all your
soul to the blessed name of God our Father."
The cold agony in the breast of Hermas dissolved like a
fragment of ice that melts in the summer sea. A sense of sweet
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Atheist's Mass by Honore de Balzac: acquaintance before long with the odious and incessant warfare
waged by mediocrity against the superior man. If you should drop
five-and-twenty louis one day, you will be accused of gambling on
the next, and your best friends will report that you have lost
twenty-five thousand. If you have a headache, you will be
considered mad. If you are a little hasty, no one can live with
you. If, to make a stand against this armament of pigmies, you
collect your best powers, your best friends will cry out that you
want to have everything, that you aim at domineering, at tyranny.
In short, your good points will become your faults, your faults
will be vices, and your virtues crime.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe: and suppers "in style," awoke all the energies of her soul;
and no sight was more welcome to her than a pile of travelling
trunks launched on the verandah, for then she foresaw fresh efforts
and fresh triumphs.
Just at present, however, Aunt Chloe is looking into the
bake-pan; in which congenial operation we shall leave her till we
finish our picture of the cottage.
In one corner of it stood a bed, covered neatly with a
snowy spread; and by the side of it was a piece of carpeting, of
some considerable size. On this piece of carpeting Aunt Chloe took
her stand, as being decidedly in the upper walks of life; and it
 Uncle Tom's Cabin |